A Quote by Oscar Wilde

Fantastic shadows of birds — © Oscar Wilde
Fantastic shadows of birds
Now and then the fantastic shadows of birds in flight flitted across the long tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid, jade-faced painters of Tokyo who, through the medium of an art that is necessarily immobile, seek to convey the sense of swiftness and motion.
We have a fantastic array of birds of prey here in the U.K.
Illusions are shadows moving endlessly across the ground. The shadows are quite real but they're shadows. They have very little substance.
Men throw huge shadows on the lawn, don't they? Then, all their lives, they try to run to fit the shadows. But the shadows are always longer.
The bright dawn flooded the room, and swept the fantastic shadows into dusky corners, where they lay shuddering.
Like strange mechanical grotesques, Making fantastic arabesques, The shadows raced across the blind.
A few melancholy birds were pipping and wailing, until the round red sun sank slowly into the western shadows; then an empty silence fell
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
Shadows sometimes people don't see shadows. The Chinese of course never paint them in pictures, oriental art never deals with shadow. But I noticed these shadows and I knew it meant it was sunny.
The birds never needed passports... We always thought, the birds can go wherever they want, and we couldn't, really. The birds were very much the symbol of... free movement for me.
The narrator blames the birds. And you want to blame the birds as well. I blamed the birds for a long time. But in this story everyone is hungry, even the birds. And at this point in the story so many things have gone wrong, so many bad decisions made, that it’s a wonder anyone would want to continue reading.
somewhere in sands of the desert A shape with lion body and the head of a man, A gaze blank and pitiless as the sun, Is moving its slow thighs, while all about it Reel shadows of the indignant desert birds.
I am like a tree in a forest. Birds come to the tree, they sit on its branches and eat its fruits. To the birds, the fruit may be sweet or sour or whatever. The birds say sweet or they say sour, but from the tree's point of view, this is just the chattering of birds.
Birds, birds, birds, I'm a Pet Shop Boy
It is winter time! Feed the birds! Teach your children to feed the birds! Request your neighbour to feed the birds! Encourage your friends to feed the birds!
The shadows in the early morning don't tell much. The shadows rest at that time. So it's useless to gaze very early in the day. Around six in the morning the shadows wake up, and they are best around five in the afternoon. Then they are fully awake.
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