A Quote by Oscar Wilde

Varnishing is the only artistic process with which Royal Academicians are thoroughly familiar. — © Oscar Wilde
Varnishing is the only artistic process with which Royal Academicians are thoroughly familiar.
"It is essential to understand this point thoroughly: that the thing-in-itself, whether animal, vegetable, or mineral, is not only unknowable-it does not exist. This is important not only for sanity and peace of mind, but also for the most "practical" reasons of economics, politics, and technology.. This is not to say only that things exist in relation to one another, but that what we call "things" are no more than glimpses of a unified process. Certainly, this process has distinct features which catch our attention, but we must remember that distinction is not separation."
It may be that the only reason childhood memories act on us so strongly is that, being the most remote we possess, they are the worst remembered and so offer the least resistance to that process by which we mold them nearer and nearer to an ideal which is fundamentally artistic, or at least nonfactual.
I felt that needed to be addressed: the idea that anything a man tries to do properly or thoroughly is dismissed as either metrosexual or OCD. But why can't you be practical and artistic at the same time, which was considered perfectly normal in the Renaissance?
Quite generally, the familiar, just because it is familiar, is not cognitively understood. The commonest way in which we deceive either ourselves or others about understanding is by assuming something as familiar, and accepting it on that account; with all its pros and cons, such knowing never gets anywhere, and it knows not why.... The analysis of an idea, as it used to be carried out, was, in fact, nothing else than ridding it of the form in which it had become familiar.
In order to translate a sentence from English into French two things are necessary. First, we must understand thoroughly the English sentence. Second, we must be familiar with the forms of expression peculiar to the French language. The situation is very similar when we attempt to express in mathematical symbols a condition proposed in words. First, we must understand thoroughly the condition. Second, we must be familiar with the forms of mathematical expression.
What I like about teaching is the discipline of finding words to unpack the artistic process. And I admire the drive in students who want to write, the mystery of how artistic talent unfolds.
It is only one who is thoroughly acquainted with the evils of war that can thoroughly understand the profitable way of carrying it on.
Bringing anyone into royal circles is a pretty tough act. Especially in the British royal family, which is scrutinized by the press as no one's been.
I don't think the process was successful and should be inspected closer. I am not afraid to say I am not familiar with the entire process, so before commenting further I would have to study the process more in depth.
I look at the artistic process as like experiencing the world, channeling it through your personality and sending it back out there. That's the process.
Wine is a chemical symphony. and The Aesthetic differentiation of Chesapeake Bay oysters and Olympia oysters occurs only after we can really differentiate them. This differentiation cannot occur until we are thoroughly familiar with both. The same is true with wines.
If the picture needs varnishing later, I allow a restorer to do that, if there's any restoring necessary.
Artists have no choice but to express their lives. They have only, and that not always, a choice of process. This process does not change the essential content of their work in art, which can only be their life.
Man is the only animals of which I am thoroughly and cravenly afraid.
Art is one of the sources through which the soul expresses itself and inspires others. But to express art thoroughly, one must have the inner emotions opened thoroughly.
I can only perceive the royal family as an entity historically. I think I know more about the royal family from the Plantagenets in the 14th Century than the modern family.
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