A Quote by Oscar Wilde

The best one can say of modern creative art is that it is just a little less vulgar than reality. — © Oscar Wilde
The best one can say of modern creative art is that it is just a little less vulgar than reality.
Unless you are in a survival situation, if you allow yourself to be creative, to be thinking, to be developing, there will be outbursts. You can say, almost beauteously, when you have less time for art, you have to select your best practice.
In ceasing to subordinate creative power to any supreme value, modern art has brought home to us the presence of that creative power throughout the whole history of art.
Make it new is the message not just of modern art but of modern consumerism, of which modern art is largely a mirror image.
Primitivism has become the vulgar cliché of much modern art and speculation.
The thing I hate the most about advertising is that it attracts all the bright, creative and ambitious young people, leaving us mainly with the slow and self-obsessed to become our artists.. Modern art is a disaster area. Never in the field of human history has so much been used by so many to say so little.
A little more kindness, A little less speed, A little more giving, A little less greed, A little more smile, A little less frown, A little less kicking, A man while he's down, A little more "We", A little less "I", A little more laugh, A little less cry, A little more flowers, On the pathway of life, And fewer on graves, At the end of the strife.
Rather be frumpy than vulgar! Much. Frumps are often celebrities in disguise -- but a person of vulgar appearance is vulgar all through.
I think that nudity is beautiful. Sometimes it can be awful, but when it's beautiful? Cinema is the art about reality; it's art from reality. In French we say l'art de la realite. You show reality, so you have to show bodies.
The art world is the biggest joke going. It's a rest home for the overprivileged, the pretentious, and the weak. And modern art is a disgrace - never have so many people used so much stuff and taken so long to say so little.
Modern art, in particular, seems especially vulnerable to fraud. Its abstractions are sometimes difficult to understand or grasp, and a modern painting is often loved less because of its intrinsic quality - its beauty, as conventionally understood - than because of the identity of the painter, its mark of social status.
Perhaps there may come into my art also, no less than into my life, a still deeper note, one of greater unity of passion, and directness of impulse. Not width but intensity is the true aim of modern art. We are no longer in art concerned with the type. It is with the exception that we have to do. I cannot put my sufferings into any form they took, I need hardly say. Art only begins where Imitation ends, but something must come into my work, of fuller memory of words perhaps, of richer cadences, of more curious effects, of simpler architectural order, of some aesthetic quality at any rate.
It was taunted as reality. It was dangled as a carrot. In terms of people's hopes and dreams, to say that that is less of a reality than the daily grind they find themselves in is maybe not correct.
Modern art did not just happen. It came as a result of a deep reversal of spiritual values in the Age of Reason, a movement that in the course of a little more than two centuries changed the world.
The greatest opportunities for creative transformation are often lodged in our discontents. Art is an alchemical process that feeds on emotional energy. When we realize that a perfect equilibrium in our lives might not be the best basis for making art, then we can begin to re-vision our stress points. So rather than try to rid your life of tension, consider doing something more creative with it.
I feel, as I get older and now a father, I try to be a little more conscious of the things I would say and do. I try to be more creative as opposed to using a cheap word, cursing, or something vulgar to get a reaction.
There is in reality no such thing as modern art. Art is carried on up and down in immense cycles through centuries and civilizations.
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