A Quote by Oscar Wilde
You know we poor artists have to show ourselves in society from time to time, just to remind the public that we are not savages.
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From time to time, to remind ourselves to relax and be peaceful, we may wish to set aside some time for a retreat, a day of mindfulness, when we can walk slowly, smile, drink tea with a friend, enjoy being together as if we are the happiest people on Earth.
I prefer career artists that have spent time honing their craft, as opposed to, 'I won a karaoke contest on a reality show and now I have a record.' That's such a drag. The music that comes out of it is so poor.
Savages!' he echoed, ironically. 'You set foot on one of the shores of this globe, professor, and you’re surprised to find savages? Where aren’t there savages? Besides, are they any worse than others, these whom you call savages?
If people respect us as artists, they know we'll give them something different every time; they know we're pushing ourselves.
It is the mission of art to remind man from time to time that he is human, and the time is ripe, just now, today, for such a reminder.
Why has time disappeared in our culture? How is it that after decades of inventions and new technologies devoted to saving time and labor, the result is that there is no time left? We are a time-poor society; we are temporally impoverished. And there is no issue, no aspect of human life, that exceeds this in importance. The destruction of time is literally the destruction of life.
A society - any society - is defined as a set of mutual benefits and duties embodied most visibly in public institutions: public schools, public libraries, public transportation, public hospitals, public parks, public museums, public recreation, public universities, and so on.
We've become such a multitasking society that just paying attention to the road doesn't seem to be that important anymore. I have to remind my kids all the time that that's what you're supposed to be doing in the car.
The public is ready now for a safety net for the middle class, something not just for the poor, but for everyone who will need help, from time to time, in order to own a home, educate their kids, keep themselves healthy or have something to retire on.
It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.
So, I mean, there's still vast swaths of the city that are suffering from a lack of jobs and poor housing and poor public schools, but they are building momentum - you know, techies, foodies, artists, musicians, all coming to Detroit. So there is this vibrancy. You see it in the newspapers every day - some story about the new Detroit.
My tiny baby blossoming art collection is comprised of works by artists I have either assisted or been mentored by, artists I am friends with, or artists I have traded with. As much as I want to and aspire to acquire works from established artists, I love acquiring works from my contemporaries in order to participate in this moment in time. The advice I would give is know what you like, take your time, and invest in things you feel connected to, as opposed to buying something because it seems cool or "of-the-moment."
Savages and modern artists are alike strangely driven to create something uglier than themselves. but the artists find it harder.
In Canada, we just have rich and poor, but we don't constantly remind poor people about it.
In America, the poor have been invisibilised, because obviously this model of success that has been held out to the world must not show the poor, it must not show the condition of black people. It can only the successful ones, basketball players, musicians, Condoleezza Rice, Colin Powell. But I think the time will come when the Occupy movement will have to somehow formulate something more than just anger.
I feel like that I'm learning all the time. I'm learning from new artists, from established artists... every time I listen to '70s rock 'n' roll records, I'm learning. And I think that I'm just now starting to get a hold on what I do.
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