A Quote by Oscar Wilde
An idea that is not dangerous is unworthy of being called an idea at all.
Related Quotes
An idea that is not dangerous is not worthy of being called an idea at all.
The idea that is not dangerous is not worthy of being called an idea at all.
The strange thing about being an actor is it's almost a little dangerous to invest in an idea. I think once you invest in the idea of where someone is going, then you're not fully open to being able to play the opposite of that if that's what the character is going to do.
No one ever heard of the truth being enforced by law. When the secular is called in to sustain an idea, whether new or old, it is always a bad idea, and not infrequently it is downright idiotic.
People ask me: ‘What is punk? How do you define punk?' Here's how I define punk: It's a free space. It could be called jazz. It could be called hip-hop. It could be called blues, or rock, or beat. It could be called techno. It's just a new idea. For me, it was punk rock. That was my entrance to this idea of the new ideas being able to be presented in an environment that wasn't being dictated by a profit motive.
The Gospel is a very dangerous idea. We have to see how much of that dangerous idea we can perform in our own lives. There is nothing innocuous or safe about the Gospel. Jesus did not get crucified because he was a nice man.
Let me lay my cards on the table. If I were to give an award for the single best idea anyone ever had, I'd give it to Darwin, ahead of even Newton or Einstein and everyone else. In a single stroke, the idea of evolution by natural selection unifies the realm of life, meaning, and purpose with the realm of space and time, cause and effect, mechanism and physical law. It is not just a wonderful idea. It is a dangerous idea.
Western powers remain imprisoned by the idea that the world is a dangerous place, that it needs to be managed, and that they are called upon to do the managing.
The idea that cinema can be dangerous is a great idea.
The whole idea of punk rock is that you're dressing yourself in a crazy leather jacket with safety pins and a Mohawk. The idea of being the rebel is a boring societal idea. It's such a type. And that's what I was, without knowing it.
Y'know, I think, inherently, when you hear something like a teenage narrative come into play, even the idea that it's being called 'teenage' is a notion that it's being reduced to a problem that's not quite adult. That's a problematic thing to say about a narrative that could actually be dangerous, could be hurtful, could be upsetting.
We don't need a new idea; the idea is called America, and it still works.
Pictures are the idea in visual or pictorial form; and the idea has to be legible, both in the individual picture and in the collective context - which presupposes, of course, that words are used to convey information about the idea and the context. However, none of this means that pictures function as illustrations of an idea: ultimately, they are the idea. Nor is the verbal formulation of the idea a translation of the visual: it simply bears a certain resemblance to the meaning of the idea. It is an interpretation, literally a reflection.
What is often being argued, it seems to me, in the idea of nature is the idea of man; and this not only generally, or in ultimate ways, but the idea of man in society, indeed the ideas of kinds of societies.
Every suggested idea produces a corresponding physical reaction. Every idea constantly repeated ends by being engraved upon the brain, provoking the act which corresponds to that idea.
Sadness is a very interesting idea, this idea of sadness being some kind of default setting that artists will go into. And then I started thinking about this idea of sadness and happiness, and the idea that sadness is very loud, and happiness is quiet.
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