A Quote by Oskar Werner

I'm married to the theater but my mistress is the films. — © Oskar Werner
I'm married to the theater but my mistress is the films.
I am married to the theater, and the films are only my mistress.
The theater is a need for me. It's a terrible attraction, something I'm compelled to do. And one derives a form of nourishment from the theater which you can never get from films. Making films weakens you in some way. With the theater, the work itself is a regenerative process.
In the beginning there was Isis: Oldest of the Old, She was the Goddess from whom all Becoming Arose. She was the Great Lady, Mistress of the two Lands of Egypt, Mistress of Shelter, Mistress of Heaven, Mistress of the House of Life, Mistress of the word of God. She was the Unique. In all Her great and wonderful works She was a wiser magician and more excellent than any other God.
I'd always loved the theater, and I began by writing plays. I work in the theater a lot in the UK, and I've worked in the theater out here quite a bit. Everything else - the films - followed as a consequence of that.
I think any filmmaker will tell you when they wandered from theater to theater to watch their prints, it was disheartening to see the poor levels of light and the disrespect for films that existed in certain theater chains. It was always inconsistent.
I prefer the films that put their audience to sleep in the theater. Some films have made me doze off in the theater, but the same films have made me stay up at night, wake up thinking about them in the morning, and keep on thinking about them for weeks.
The theater is like a faithful wife. The film is the great adventure - the costly, exacting mistress.
I intend to work until the day I die. I retired from feature-length films but not from animation. Self-indulgent animation. It's nice that I have the mini-theater in the museum. Most of the museum visitors attend the mini-theater screenings and we've never had a complaint about the quality of the films. I'd like to continue to make films that leave the audience satisfied, but I also think it's pointless unless I offer them the kind of animation they can't get anywhere else. They're fun to do. They're short so it's less stressful.
There's no doubt that some of the greatest films ever made have come from the theater. It's all a matter of finding a way to make the theater experience watchable on film.
Theres no doubt that some of the greatest films ever made have come from the theater. Its all a matter of finding a way to make the theater experience watchable on film.
I think any filmmaker will tell you when they wandered from theater to theater to watch their prints, it was disheartening to see the poor levels of light and the disrespect for films that existed in certain theater chains. It was always inconsistent. And in the lab, too, the photochemical process was very difficult to watch, because sometimes they were shipping prints that you didn't even know were two points off or three points off. We suffered greatly to make these films, and they'd be out-of-focus, with the sound too low.
Jesse Jackson's in trouble. They're going after this tax thing. Jesse said he will amend his taxes to show the money that he paid to his mistress. See, he has just one mistress. Jesse uses the standard mistress deduction. As opposed to Clinton, who had to itemize.
I have a production company called Home Theater Films which makes faith-based films.
I'd rather do theater and British films than move to L.A. in hopes of getting small roles in American films.
Films portraying successful black people getting married are great, but films that only show one aspect of our culture, bother me.
I don't believe there is something called 'film' and something called 'theater,' and that words belong in the theater. Some rather bad films have few words in them; some good films have a lot of words in them.
This site uses cookies to ensure you get the best experience. More info...
Got it!