A Quote by Oti Mabuse
At the end of the day, a show like 'Strictly' is not about what colour you are, or where you come from. It is about how hard you are prepared to work and how well you can dance.
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I was over at Alison's [McGhee], I think we were playing Scrabble. I remember we were both complaining - yeah, we sound like whiners - about how hard writing is, and how we didn't have a story to work on. Alison said, 'Why don't we work on writing something together,' and I said, 'Eh, I don't know if I could work that way.' She said, 'Well, just show up here and we'll see,' and I said, 'Well, what would it be about?' She said, 'Duh, it'd be about a tall girl and a short girl.' So I agreed to come and try it for a day.
I don't think too much about how many goals I'm going to target. I work really hard and prepare really well for the season to come... I know when I'm well prepared, when I've worked hard, the results will come.
My brain does like the idea of hosting a late-night show. My brain does like the idea of maybe having a show about me. So, I often pitch ideas and work on scripts and do that just because I may not be right about how I feel, so why not just do this, and if it happens and I got my own show, well maybe I would really end up falling in love with it.
Everyone will always have ideas about how to make your work better. Everyone has advice about how to end your play differently. Start it differently. And it's not about right or wrong. At the end of the day, it's your baby, and you know what's best.
I've had four fantastic years on 'Strictly Come Dancing,' but for us it's about moving forward and the end goal is to present a shiny-floored Saturday night TV show that we all love, for example, 'Strictly,' 'Britain's Got Talent' - those sort of shows.
I'm sixty-eight years old. What I do now will be read by unborn generations for hundreds, perhaps thousands, of years. For me, it's not about my work - that is, it's not about Wayne Dyer's work, how much money I make, how well I do, or how well my products do.
People have these perceptions; maybe they've been here for a day, or have only heard about it. It was like when I first came to work here. You want to see the clean city that is always talked about, how nice the people are, the restaurants, the vibe, how diverse the city is. That's what we want to show: what an enjoyable city it is, what a great city it is. Forget about basketball.
What I loved about 'Strictly' as a viewer and contestant was that it was warm, family entertainment. So it is a shame for the show when controversy surrounds it. That is not what we like about 'Strictly.'
I think the great part about what I do is that there's a scoreboard. At the end of every week, you know how you did. You know how well you prepared. You know whether you executed your game plan. There's a tangible score.
One day the wind blew through the town, and oh, how merry it was! It whistled down the chimneys, and scampered round the corners, and sang in the tree tops. "Come and dance, come and dance, come and dance with me," that is what it seemed to say.
I do really silly dancing. I love dancing, but I'm not cool when I dance. It's not about my moves, it's not about how cool I am, it's not about how slick I look on the dance floor, it's about having a great time.
I think that's a challenge as believers - how do you demonstrate the gospel? How do you do that? I mean it's easy to talk about it and say 'Oh this is what we are supposed to be doing' and this is the relevance. But how do you do that with your hands instead of your mouth? How do you do it every day, instead of just onstage, how is it enacted? And I feel like that is one of the ways that we can show what we believe, by how we treat people around the world.
But, I would always be thinking of how pictures are constructed and colour, how to use it, I mean you're using it for constructing, makes you think about it, the place did as well.
I am always giving advice to young players about how things are, how important it is to work hard every day to reach the glory days.
I had brief glimpses of emotional catharsis while writing. I remember reading something Philip Roth wrote about how he writes every single day, but it's almost as if he has amnesia every morning - he has almost zero confidence that anything will come but he just sits down and plugs away. And at the end of the day it feels like a miracle: "How did I do that?" I had a similar experience where it was just about putting in the hours and being present.
I guess it's hard work... whatever the decision is, how to show it to people that aren't necessarily dancers, how to get people to think about more than themselves.
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