A Quote by Otis Williams

We've been performing with symphonies all of our career and it sounds so wonderful when they play 'My Girl' with the large string section, I want to turn around and look.
It's great if you can afford to carry a string section on the road with you, but most people are used to the idea of just a keyboard player creating those string sounds.
I would love young girls to look up and see my string section or my brass section or the steel band and be like, 'Wow! I never thought I could do that, that's wicked! I want to be up there doing that.'
When I was little, my mom tells me, I used to say things like, 'Mom do you hear the string section? Do you hear the string section?' And she would look at me and say, 'No honey, I don't know what you're talking about.'
Read the news section of the newspaper and there is confusion and uncertainty, a world buffeted by large forces people neither understand nor control. But turn to the sports section and it's all different.
I only performed a song so I could not write an essay. I just enjoyed being around bands, and around musicians, and, I didn't want to be the girl who followed the band around. I love singing, I love performing, but it's never been this goal.
One of the strangest features of string theory is that it requires more than the three spatial dimensions that we see directly in the world around us. That sounds like science fiction, but it is an indisputable outcome of the mathematics of string theory.
I have really been blessed in my career with some wonderful songwriters and in turn, songs.
I don't want to look back at my career and see a string of incredibly commercial projects that don't have much heart. I'm looking for things that have soul.
For me, while writing I am an engineer, so if I decide to change the format, I want to add a section, to move a section, reorganize the section, anything I want to do, I just boot words, and I do what I want to do. So, I feel completely empowered when I'm a writer.
The holidays are a time to - not quite play it safe - but play it classic. You don't want to be the girl in a head-to-toe sequin look, where you look like you should be an ornament on the tree.
When I would visit my Granny as a little boy, we would play this game of closing our eyes and describing everything around us. The color of a tie. The shade of a cloth. It was really quite a wonderful way to learn how to look, to notice things and to appreciate what is around you.
I want to establish a wide range and play all kinds of parts. It's that sort of acting career I really respect. I like to turn a sharp left from whatever I've done before because that keeps me awake. That's why I want to be an actor - I don't want to play endless variations on one character.
Performing King Charles in Mike Bartlett's astonishing play in London and New York has been one of the high points of my career.
But at the end of the day, I'm a girl. I'm from Santa Monica. I'm going to look how I want to look and play how I want to play, and if people don't like it, then they don't like it.
I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning.
I have never stopped performing live.I've been blessed with the talent to sing and play the piano so I can fit into a lot of different configurations and venues. I play public and private performances and it has served me well. And I've been fortunate to work in Europe and Asia as well as The US. So for those who have not attended my shows, it doesn't mean I'm not performing.
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