A Quote by Ottessa Moshfegh

Indifference is the saddest state of being. It's like PTSD - you're not gonna fight, you're not gonna run, you're just frozen there, feeling nothing. It's very easy to have conversations when you're sitting there feeling nothing, to talk about the weather or what you had for lunch, to Instagram what you had for lunch. We're all suffering from trauma. This world is so crazy. How do we feel safe here? I think that's the question everybody's asking, "What do I need to do to feel safe? Like I'm okay?" I don't think there's anything wrong with that.
I think that lyrically, 'Safe' is a very positive song: it's very strong; it's about keeping somebody safe and protecting people. I think everybody anywhere in the world can relate to it. I think everybody wants to feel safe; everybody wants to feel protected.
You really get caught up in this system of the world - the Instagram world, society - we really get caught up in what our friends want and what our jobs want. I think the priority in life is to feel secure and safe and solid, truly. Just feeling good, just being okay with sitting alone. I think that's a big thing people need to realize and get used to that it's okay to be alone. It's good to be alone, and you need to be able to sit by yourself and just be peaceful and silent, and learn to read a book again; learn to just be. It's hard to be when you are so used to static input.
My new single 'I'm Gonna show you crazy' is really about knowing it's okay to not be okay. It's not about being legit crazy it's about feeling like you're an outsider and there's nothing wrong with that. I was bitter during that time in my life but I needed that. It helped shaped me and my music. Going through a hard time makes you a better person. Going through hell those two years was worth it.
Everybody has had the experience of something they love - whether it's a pop song or a painting or a movie - feeling so perfect to them that it's almost like it came from another planet. It has nothing to do with ordinary life, which is very plain. And there's something depressing about that in a way, because you feel like you're this small little human, and you feel like it has nothing to do with you.
The great thing about 'World Of Warcraft' is that you can sit down in your lunch hour and do a couple of quests and still feel like you've had a meaningful experience, rather than it feeling like you've got a second career.
I want girls to know that whatever you're feeling, I'm feeling too. All the things that you think make you crazy, it's OK to feel that way, and I'm gonna tell you why we feel that way.
I don't think, if anything, I don't think it's a feeling of hopelessness that people feel. I think if they feel - if they're feeling what we're feeling, it's that this is how we fight back.
There's nothing wrong with loving your country. There's nothing wrong with caring about who gets into your country. There's nothing wrong about wanting your country to be great. There's nothing wrong with thinking that the country comes before the world. There's nothing wrong at all, and that's been wrong in the past and we're gonna make it right. We're gonna love America, we're gonna unify, we're gonna make America great again.
The reason I feel bad for Steve Kloves is because he doesn't enjoy cutting things out. He's not sitting there with scissors, just laughing maniacally, going, "Ahahaha." He doesn't like doing it. The stories mean so much to him. But it had to go. And David kept saying, "We're gonna try, we're gonna try, we're gonna try" all the way into the shoot until the very last days, when he said, "Sorry, it's just not gonna work."
I'm just gonna talk about being Nigerian-American. I'm gonna talk about being single. I'm gonna talk about what happened to me on the train today. I'm gonna talk about so many other things that, as a comic, you're able to talk about because you see the world in sarcasm.
Okay. I'll deal with Benjamin. You're safe, okay? Nothing's gonna happen." His mouth pulled tight against itself. And now I was having some sort of heart attack. Because when he looked at me like that, my chest started to feel like it was turned inside out. "Promise." And that—the promise, the way he said it with utter certainty—was enough to make me tear up again.
I still got a lot to learn about fashion. I'm somebody who experiments, somebody who's finding their way. I'm young, and I don't really know if there's any guide to style in what's right and what's wrong. I just dress as an extension of how I'm feeling. If I feel crazy, then I'm gonna rock something crazy.
Sometimes you feel all alone. You come out of a meeting, and something sexist has been said to you: That movie will never be made with that female lead. And you think, 'How am I ever gonna get another job?' When you hear other women having the same experiences, it makes you feel like, 'Well, I'm gonna keep going, and we're gonna fight this system.'
I don't think about whether it's gonna be a dance record or a ballad or anything when I'm making music. I sit in the studio and I think, 'How am I feeling today?' and I write how I feel. It's really, really simple.
I think there's a very fundamental urge to create a safe space, a home; most animals have that impulse, and humans certainly do - with some exceptions, like nomadic people who perhaps don't feel the need to settle in quite that way. But most of us do want to have space, somewhere we feel secure and where we repeatedly return. Somewhere we can sleep without fear. And there's nothing wrong with that desire. It's completely understandable. It only becomes ugly when that creation of a safe space involves making an enclosure from which other people are kept out.
The idea of feeling displaced, and never feeling safe anywhere in the world, where you always feel like you're safer if you're over there, is not just my experience. If you went to Iran today or an Iranian came to America today, or the fact that there are bombs exploding everywhere, there's just a tremendous sense of fear and feeling a desire for security.
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