A Quote by Ottessa Moshfegh
I don't care about being a literary personality - that doesn't appeal to me, especially because the literary world doesn't appeal to me. I actually don't feel like I even belong in it. If this was high school, I would be sitting with the Goths, looking at everyone, being like, 'Whatever.'
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I remember being in high school and this guy saying to me, 'You'd actually be good-looking if you didn't joke around so much.' That affected me, and so I stopped joking around, and I stopped being a goof because I thought people would like me better.
There's definitely been a focus on the literary aspects of my music, and I always get a little cringey because I don't feel like I'm particularly literary. There's a sort of academic label that's put on me that seems inaccurate.
I actually live right near a high school and I always walk by...I live in a high school. I actually live in the boiler room of a high school at night. When I see high school guys now I'm actually like, 'Thank f - king God I'm not in high school anymore because they look like they could kick the living s - t out of me.'
I would say that my fatal flaw, as a human being, is that I need people to like me, and if they don't like me, I will obsess over it - and try to change my personality until they like me - even if they don't like me for reasons that have nothing to do with me, and even if they're strangers.
I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.
Everyone has those times when you feel like you don't fit in. Everyone struggles to a certain extent with being cool and popular, but I never really let it affect me. I played sports and did theater, and school was really important to me. I had fun in high school.
It's not like I have anything against it, I just chose the kind of films that appeal to me, and mindless entertainers don't often appeal to me.
For me, I think that, certainly, the fact that Las Vegas has a gambling aspect to it is far overshadowed by the entertainment value, if you will, family appeal, that you have, the convention appeal. So it does not have disfavor with me, in my opinion, relative to being an NFL city.
My literary criticism has become less specifically academic. I was really writing literary history in The New Poetic, but my general practice of writing literary criticism is pretty much what it always has been. And there has always been a strong connection between being a writer - I feel as though I know what it feels like inside and I can say I've experienced similar problems and solutions from the inside. And I think that's a great advantage as a critic, because you know what the writer is feeling.
I don't know that I had a sense that there was such a thing as "the poetry world" in the 1960s and early 70s. Maybe poets did, but for me as an onlooker and reader of poetry, poetry felt like it was part of a larger literary world. I mean, even the phrase "the poetry world" reflects a sort of balkanization of American literary and artistic life that has to some extent happened since then.
No one is perfect and everyone is different, but everyone one is beautiful in their own way and that's what makes us special.For me, it went beyond being a beauty queen. For me, it was about being the 20-year-old girl from India on international platform and a lot of people actually would assume that I wasn`t even educated in India because of the way I'd speak.
Teenage girls, please don’t worry about being super popular in high school, or being the best actress in high school, or the best athlete. Not only do people not care about any of that the second you graduate, but when you get older, if you reference your successes in high school too much, it actually makes you look kind of pitiful, like some babbling old Tennessee Williams character with nothing else going on in her current life. What I’ve noticed is that almost no one who was a big star in high school is also big star later in life. For us overlooked kids, it’s so wonderfully fair.
I’m not club-able, you see. I don’t like literary parties and literary gatherings and literary identities. I’d hate to join anything, however loosely.
I was writing very early, like I was involved in our high school literary magazine, which was called 'Pariah.' The football team was the Bears, and the literary magazine was 'Pariah.' It was great. It was definitely a real sub-culture. But I wrote stories for them.
I don't appeal to everyone well. I appeal to fewer people in a much stronger way. That's what fandom is to me, and what creates fans for everything I make.
I've learned that I don't want to be as open or public about relationships anymore. In my first relationship, I thought I could hold on to the normalcy of just being like "Yeah, we're dating," just like if it were high school and I was telling my friends. But in high school, there aren't articles written everywhere when you break up and you don't have everyone in the school coming up to you and asking what happened or sharing their opinion with you. It didn't feel like ours anymore, it felt like everybody else's.
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