A Quote by Otto Dix
Everybody thinks they know what art should be. But very few of them have the sense that is necessary to experience painting, that is the sense of sight, that sees colors and forms as living reality in the picture.
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The psychotic does not merely think he sees four blue bivalves with floppy wings wandering up the wall; he does see them. An hallucination is not, strictly speaking, manufactured in the brain; it is received by the brain, like any 'real' sense datum, and the patient act in response to this to-him-very-real perception of reality in as logical a way as we do to our sense data. In any way to suppose he only 'thinks he sees it' is to misunderstand totally the experience of psychosis.
Men in general judge more by the sense of sight than by the sense of touch, because everyone can see but few can test by feeling. Everyone sees what you seem to be, few know what you really are; and those few do not dare take a stand against the general opinion.
When a painter thinks to disengage from the world outside himself and fantasies unprecedented forms he thinks he will make a painting, he finds in this expression the same effect - I would even say the same picture - that he had unconsciously acquired by his habit to experience reality intensely.
The proletarian writer is a writer with a purpose; he thinks no more of art for art's sake than a man on a sinking ship thinks of painting a beautiful picture in the cabin; he thinks of getting ashore - and then there will be time enough for art.
I am a great lover of art, in many forms: paintings, objets, textiles. I don't have the talent for painting, but I have a very good sense of colour, a love of visual beauty.
To be an artist it is not necessary to make a living from our creations. Nor is it necessary to have work hanging in fine museums or the praise of critics . . . To be an artist it is necessary to live with our eyes wide open, to breathe in the colors of mountain and sky, to know the sound of leaves rustling, the smell of snow, the texture of bark . . . To be an artist is to notice every beautiful and tragic thing, to cry freely, to collect experience and shape it into forms that others can share.
Sight is not absolutely essential in this process, but we use sight because it is the dominant sense. It's easiest to interrupt the flow of thought in sense perception and move the mind beyond sense perception with sight.
The pleasure a man gets from a landscape would [not] last long if he were convinced a priori that the forms and colors he sees are just forms and colors, that all structures in which they play a role are purely subjective and have no relation whatsoever to any meaningful order or totality, that they simply and necessarily express nothing....No walk through the landscape is necessary any longer; and thus the very concept of landscape as experienced by a pedestrian becomes meaningless and arbitrary. Landscape deteriorates altogether into landscaping.
The prosaic man sees things badly, or with the bodily sense; but the poet sees them clad in beauty, with the spiritual sense.
The starting point of a picture for any painter is a matter of colors and form...I believe that the poetry of art - if that is what one may call it - is a matter of animating these forms and colors.
Everybody has a great deal of experience in living. But no one lives in anything like the highest style of the art; and it is very disconcerting to notice how badly one lives in the sense of the extent to which fatigue and other discomforts are connected with one's important dealings with other people.
I think everybody starts out by seeing a few works of art and wanting to do something like them. You want to understand what you see, what is there, and you try to make a picture out of it. Later you realize that you can't represent reality at all - that what you make represents nothing but itself, and therefore is itself reality.
The Oriental thinks everything in the sense-perceptible world is 'maya'; everything perceived by our senses and all thinking connected with sense perceptions is 'maya,' the great illusion. The only reality is the reality of the soul. What a human being achieves in his or her soul is reality.
An art of expression should begin with childhood, and the lucid use of one's mother tongue should be typical of that art.
The sense of reality should be strengthened from the beginning, yet by no means at the cost of those lofty illusions we call patriotism, veneration, love.
Visual forms are not perceived differently from colors or brightness. They are sense qualities, and the visual character of geometry consists in these sense qualities.
Art gives a sense of order, life is basically chaotic, and there's a tension between them. A sense of order comes from chaos and contains a bit of it, but it's the sense of order that is important in a work of art.
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