A Quote by Otto Weininger

The number of different aspects that the face of a man has assumed may be taken almost as a physiognomical measure of his ... genius. — © Otto Weininger
The number of different aspects that the face of a man has assumed may be taken almost as a physiognomical measure of his ... genius.
The book, the college, the school of art, the institution of any kind, stop with some past utterance of genius. . . . They look backward and not forward. But genius looks forward: the eyes of man are set in his forehead, not in his hindhead: man hopes: genius creates. Whatever talents may be, if the man create not, the pure efflux of the Deity is not his; - cinders and smoke there may be, but not yet flame.
It may, indeed, be assumed that a man who loses his temper while he is speaking is endeavouring to speak the truth such as he believes it to be, and again it may be assumed that a man who speaks constantly without losing his temper is not always entitled to the same implicit faith.
A man may be a great statesman, and yet dislike his wife, and like somebody else's. A man may be a great hero, and yet he may have an unseemly passion, or an unpaid tailor. But the British public does not understand this. ... It thinks, unhappily or happily as you may choose to consider, that genius should keep the whole ten commandments. Now, genius is conspicuous for breaking them.
For me, there are two different things that make Sherlock Sherlock. One is, you know, within the books: obviously he's a genius with an attention to detail, his ravenous hunger for all aspects of knowledge that might feed into his work. But the major thing that makes him Sherlock is his relationship with Watson - their friendship. For me, that, I guess, is the biggest side, the more interesting side than the genius.
The man assumed office almost four years ago - isn't it about time he assumed responsibility?
The Man of Genius may at the same time be, indeed is commonly, an Artist, but the two are not to be confounded. The Man of Genius,referred to mankind, is an originator, an inspired or demonic man, who produces a perfect work in obedience to laws yet unexplored. The artist is he who detects and applies the law from observation of the works of Genius, whether of man or nature. The Artisan is he who merely applies the rules which others have detected. There has been no man of pure Genius, as there has been none wholly destitute of Genius.
Genius is answerable only to itself; it is the sole judge of the means, since it alone knows the end; thus genius must consider itself as above the law, for it is the task of genius to remake the law; moreover the man who frees himself from his time and place may take everything, hazard everything, for everything is his by right.
You can perfect genius because genius is not perfection. On his level and his practice and his methodology, it's almost inhuman. So, that's been a fantastic arc to play, and boy does it go somewhere in this series.
A genius is a genius, regardless of the number of morons who belong to the same race - and a moron is a moron, regardless of the number of geniuses who share his racial origin.
History uses a unit of measure for time that is different from that of the lifespan of the individual, whereas man is only too ready to measure the evolution of history by his own yardstick.
Whatever man may stand, whatever he may do, to whatever he may apply his hand - in agriculture, in commerce, and in industry, or his mind, in the world of art, and science - he is, in whatsoever it may be, constantly standing before the face of God. He is employed in the service of his God. He has strictly to obey his God. And above all, he has to aim at the glory of his God.
Newton was a genius, but not because of the superior computational power of his brain. Newton's genius was, on the contrary, his ability to simplify, idealize, and streamline the world so that it became, in some measure, tractable to the brains of perfectly ordinary men.
Kerry is well on his way to reaching his magic number of 2,162. That's the total number of delegates he needs to win the Democratic nomination. See for President Bush it's different - his magic number is 5. That's the number of Supreme Court judges needed to win.
In music, four is the number that every measure is - four by four, four beats to every measure. The number four is a sense of completion, almost.
Every man of genius sees the world at a different angle from his fellows, and there is his tragedy.
What's missing is leadership in the White House. And the story that Barack Obama does tell, forever shifting blame to the last administration, is getting old. The man assumed office almost four years ago - isn't it about time he assumed responsibility?
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