A Quote by Ouida

Histories in blazonry and poems in stone. — © Ouida
Histories in blazonry and poems in stone.

Quote Topics

Neither is a dictionary a bad book to read. There is no can't in it, no excess of explanation, and it is full of suggestion, the raw material of possible poems and histories.
Remember the plants, trees, animal life who all have their families, their histories too. Talk to them, listen to them. They are alive poems.
Every thing thinks, but according to its complexity. If this is so, then stones also think...and this stone thinks only I stone, I stone, I stone. But perhaps it cannot even say I. It thinks: Stone, stone, stone... God enjoys being All, as this stone enjoys being almost nothing, but since it knows no other way of being, it is pleased with its own way, eternally satisfied with itself.
The histories of mankind are histories only of the higher classes.
I started reading the big histories and the small histories, the memoirs and so forth. At some point, I found the diary of William E. Dodd.
Southern poets are still writing narrative poems, poems in forms, dramatic poems.
I find diplomatic histories the dullest of histories.
I don't think all poems need to be written in conversational language - those are often great poems but there should also be poems of incoherent bewilderment and muddled mystery.
My obsessions tend to cluster, so I often have families of poems in which only a couple of them make it to the book. It can be satisfying to banish poems to my "crappy poems" file.
Histories used often to be stories: the fashion now is to leave out the story. Our histories are stall-fed: the facts are absorbed by the reflexions, as the meat is sometimes by the fat.
As a historian I understand how histories are written. My enemies will write histories that dismiss me and prove I was unimportant. My friends will write histories that glorify me and prove I was more important than I was. And two generations or three from now, some serious sober historian will write a history that sort of implies I was whoever I was.
'Love, Death and the Changing of the Seasons' is a kind of novel in verse about the arc of an urban lesbian love affair - and I suppose there is a certain amount of voyeurism in the consumption of fiction! The 'Sancerre' poems here are more contemplative and about the relationship of the individual to local and wider histories.
If you want to write poetry, you must have poems that deeply move you. Poems you can't live without. I think of a poem as the blood in a blood transfusion, given from the heart of the poet to the heart of the reader. Seek after poems that live inside you, poems that move through your veins.
My days are filled with work I love - reading poems, writing poems, talking with people about poems, teaching, directing a writing program, hosting readings, etc.
Hugh Everett's work has been described by many people in terms of many worlds, the idea being that every one of the various alternative histories, branching histories, is assigned some sort of reality.
Poems don't have to rhyme... Poems are about beauty and emotion; in other words poems are about feelings.
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