A Quote by Ovid
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Even if you've been a coward all your life, death is a heroic act.
The nature of a coward is to avoid death. If such a man courts peril there can be only two reasons. Either he is not a coward at all or there is no danger.
Death is the fate no one can escape. The question, then, is, How does one die? A person can die like a hero or like a coward. The difference is that the hero can face death without fear, whereas the coward can't.
I am inclined to believe that one who is a coward will be born after death as an insect or a worm, that there is no salvation for a coward even after millions of years of penance.
If you go to your death rather than do everything you might to prevent what is happening, you are merely committing suicide and trying to make yourself feel better about it. That is the act of a coward. It is beneath contempt.
Sir, he [Bolingbroke] was a scoundrel and a coward: a scoundrel for charging a blunderbuss against religion and morality; a coward, because he had not resolution to fire it off himself, but left half a crown to a beggarly Scotsman to draw the trigger at his death.
I think that obviously, there is a perverse attraction to a fundamentally changed world or the end of the world. There is a death wish, a perverse death wish. Not just for ourselves, not just for the movie 'Death Wish,' but for the end of all human life.
They say you never know who's the real hero and who's the real coward until you're looking death in the face. I've always been afraid of plenty of things, but fear isn't what makes you a coward. It's how depraved your heart becomes when fear gets pumped through it.
Many people use the words 'death defying' or 'death wishing' when they talk about wire-walking. Many people have asked me: 'So do you have a death wish?' After doing a beautiful walk, I feel like punching them in the nose. It's indecent. I have a life wish.
So far as photography satisfied a wish, it satisfied a wish not confined to painters, but a human wish, intensifying since the Reformation, to escape subjectivity and metaphysical isolation - a wish for power to reach this world, having for so long tried, at last hopelessly, to manifest fidelity to another... Photography overcame subjectivity in a way undreamed of by painting, one which does not so much defeat the act of painting as escape it altogether: by automatism, by removing the human agent from the act of reproduction.
There is no single best kind of death. A good death is one that is "appropriate" for that person. It is a death in which the hand of the way of dying slips easily into the glove of the act itself. It is in character, ego-syntonic. It, the death, fits the person. It is a death that one might choose if it were realistically possible for one to choose one's own death.
I do not wish to be a coward like the father of mankind and throw the blame upon a woman.
To know what is right and choose to ignore it is the act of a coward.
The coward sneaks to death; the brave live on.
There is another side to death. Whether death happens through an act of violence to a large number of people or to an individual, whether death comes prematurely through illness or accident, or whether death comes through old age, death is always an opening. So a great opportunity comes whenever we face death.
Two equally steep and bold paths may lead to the same peak. To act as if death did not exist, or to act thinking every minute of death, is perhaps the same thing.
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