A Quote by Owain Yeoman
Since I finished on 'The Mentalist,' I didn't need to be so near to the studio, so we decided to move a bit further out where you can get more house for your money, too. It definitely feels more like home.
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Nadal is just more at home on clay. It looks like he feels safer on clay courts. He can get to a few more balls, he can play a bit further behind the baseline when he defends, and he's also able to get the ball to bounce higher. It's unbelievable.
Too many startups get in the habit of continually raising more and more money, which has the deleterious effect of both pushing out profitability and limiting your exit options. The less rounds of capital you need to raise, the more of your company you get to own.
I was living at home until about 27 and decided it was time to move out and move somewhere else, so that's what I did. I wanted it to be the right thing to do. I didn't want to buy something out of my price range; I didn't want to be stupid with my money, so I decided to stay at home. Luckily, my mum and dad were amazing.
When you're further along in your career, you probably have more money and more means; you have to stop yourself from giving your child too much. Whereas, if you're in twenties, you might just get by.
You need to realise that, if you want to go on, you have to work hard. If you dwell too much on your past successes and say "well, I have won nine world titles and more than 100 races", you'd rather stay home. The sport, your rivals, the tyres, your motorcycle, everything changes so instead you need to work more to be stronger. If you don't, you're finished.
We've decided [with Jordan Peele] that we need to be on the Internet for a little bit of time every day to figure out what's going on. It feels like we're working. It feels like you're all typing and you're searching.
I do feel like L.A. has a very supportive and collaborative energy. I felt that in New York too but also there's so much space here! You can have a home studio. In New York you had to rent a room to do a session or to practice. As a solo artist, it was a lot more expensive. Here there is that comfort in lifestyle a little bit more, being able to breathe a little bit more, and creatively flow, not having to stress about how to get our gear there in a cab and pay by the hour, it's just a different vibe.
I have to reign in my personality a little bit. Sometimes you want to go more colorful, but that's not my job on the [Grimm] show. My job is to be the center of the show, and the further you move out the more it can get wild.
Working at home is hard. It tends to give you bad habits. It feels more like you're going to work when you get up in the morning and leave your house and go somewhere.
In the West, it is the opposite, like you are using these practices [meditation and yoga ] to further your ego by being more productive, being more this, and getting more out of your work and earning more money. In the East, the whole idea is that you are dissolving your essence through these practices.
You can definitely train your awareness to be even better than it is. Of course, you start with a certain point of feelings and awareness on the pitch. But I think the more you get in positions, the more you get used to it, the more you get used to the tempo of your team-mates, everything. It feels more and more natural, and quicker and quicker.
I moved to L.A. after my landlord in Brooklyn tripled my rent. I spent months looking for other places to move to in New York, then one day I was in California eating a grapefruit, and I was like, 'This is what they taste like?' So I decided to move to L.A. and build a studio in my house.
The more money you spend, the more you need to make back, and the more pressure there is to appeal to everyone - which to the studio means that the specificity and uniqueness must be watered down. But I think mass audiences like things that are more specific and tend to have a voice, like 'Napoleon Dynamite' or 'Superbad.'
We moved there a year ago, just as a weekend place. Then we decided to move out of London completely. We will eventually have to work it out a bit more, because you can't have a little boy living with his sisters like that, can you? But we like the idea of closeness.
It feels like the more I'm out there in the public eye, the more criticism I get. You need to have confidence - that's what it takes to walk out there and sing a song in front of a huge group of people.
We honestly felt a bit more at home in the TV studio than we did in the recording studio.
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