A Quote by Owain Yeoman

I work in a business of extremes, so when you are with someone who is very calm and logical, it's a great kind of balance to have. — © Owain Yeoman
I work in a business of extremes, so when you are with someone who is very calm and logical, it's a great kind of balance to have.
Supposing the Mother Earth was very hot like the sun, there would have been no growth, or it was cold like moon, there would have been no growth. It had to come to the centre where it had both the things in proper proportions to grow. In the same way a human being has to work out that you keep a moderation and a balance and understand not to go to extremes of anything. That balance you learn when you love someone.
He was a great man, my granddad, a very calm, logical and methodical guy. I suppose I'm trying to be more like him as I get older.
One of the biggest struggles that I've faced and overcome is finding a balance between emotion and facilitating it through logical means. One of the biggest challenges I have is finding that balance. This emotional mess that I am and this logical side of me, I try to find the medium that will balance me out. I think that's my big mission statement in life: to find that balance. It's a negative-positive and how that relates.
If you let your mind talk you out of things that aren't logical, you're going to have a very boring life. Because grace isn't logical. Love isn't logical. Miracles aren't logical.
A very good leader is someone who has a great team, it's all about the team. You only have 12 hours or 14 hours a day, if the people that are with you are doing a great job, you can have a great business. If not, it's not going to work.
It's hard to find trainers to train, coaches to coach. Just because someone was great in the business doesn't mean they can teach someone else how to be great in the business; and just because someone wasn't great in the business, doesn't mean they can't teach somebody. I used to be a firm believer in the other.
Very, very broadly speaking, you can put directors into two areas: One for whom you work, and the other with whom you work. And I prefer the latter, for obvious reasons. It's a great relief to feel that you're working with someone rather than for someone.
I have seen both extremes; when there was no work, I was frustrated and now that I'm overworked, I feel the same. I'm looking for a balance now.
Meditation really helps create not only a sense of balance... but serenity and kind of a calm state of mind.
The garden reconciles human art and wild nature, hard work and deep pleasure, spiritual practice and the material world. It is a magical place because it is not divided. The many divisions and polarizations that terrorize a disenchanted world find peaceful accord among mossy rock walls, rough stone paths, and trimmed bushes. Maybe a garden sometimes seems fragile, for all its earth and labor, because it achieves such an extraordinary delicate balance of nature and human life, naturalness and artificiality. It has its own liminality, its point of balance between great extremes.
The reality is I'm kind of like an ocean. Everything is calm, calm, calm. I'm good. When the ball goes up in the air, the waves start rocking.
New Orleans is my kind of city. I think there's a lot going on, but it's also very calm. It's a place where I can actually drive a car without being stuck in traffic for for 40, 50 minutes. It's my kind of city. A lot going on but still calm.
Definitely for me, my personality, having children was a definite sea change. I found it very, very hard to balance show business and being a dad. The narcissism of show business and the complete, total focus of it was very difficult.
Sometimes, I think the best kind of poem is one in which there is an acute balance between what is humorous and that which is very serious. That balance is very hard to strike. But it can be done.
'The Decay Of Lying' is a very interesting treatise. It was actually penned as a dialogue between two characters, Cyril and Vyvyan, both of who were named after Wilde's sons. Wilde goes on to extrapolate art as a science and as a social pleasure, to its most logical and illogical extremes, and it ends up being very funny, indeed.
Very, very broadly speaking, you can put directors into two areas: One for whom you work, and the other with whom you work. And I prefer the latter, for obvious reasons. It's a great relief to feel that you're working with someone rather than for someone. You don't feel that you're being tested, as it were.
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