A Quote by Owen Farrell

You don't really get fly-halves battering each other. — © Owen Farrell
You don't really get fly-halves battering each other.
Each of us keeps, battened down inside himself, a sort of lunatic giant; impossible socially, but full scale; and it's the knockings and battering we sometimes hear in each other that keep our banter from utter banality.
Really, when you get down to racism, in or out of the church, it's a heart issue. It's not a head issue. When we actually get to experience each other's ministry, and each other's struggle, and each other's pain, there's a much greater sensitivity.
Let me tell you about Australia. It's really, really, really, far from wherever you live on Earth. You fly and you fly and you fly. Then relativity takes over and you get younger and younger. And when you land, you're a gleam in your father's eye.
Those teams that really trust each other, really communicate with each other, really hold each other accountable and do it in a good way, in a respectful way, and just genuinely enjoy and like each other, I think that can be something that helps you separate when talent is equal.
I get along really well with [my father] now, but I had a terrible time with him in my teenage years. All we did was scream at each other, and when we weren't screaming at each other, we just wouldn't talk to each other.
At the time - but we've since made amends - James Franco and I really didn't get along. When we were on 'Freaks and Geeks,' we were 19, and we really, really disliked each other. He shoved me to the ground once; it was really brutal. We're friends now, and we really like each other now as adults - but as kids, we did not get along.
Richie and Eddie couldn't exist without each other. They're two halves of the same person.
I always have a rule that acting is acting and truth is truth and you just go out there and you do it. But what happens in each medium is that you have other responsibilities. The acting remains the same, but each medium dictates assuming other halves to make the acting work.
What was really wonderful about the 'Doubtfire' shoot is that we had this really long rehearsal period in the beginning. That was a great time to get to know each other. We got to know each other and to create the family vibe. So we really didn't have to force it.
My older brothers have their own children, and they have to go to soccer practice and football practice on the weekends. They're doing their thing and on the weekends, and I'm on the road. The busier we get, the less time we get to see each other. That's why, when we see each other, it's really, really kind of special.
We all have other halves, and when they're feeling bad, we get a little piece of the pain
Miz and I have known each other for a long time, and we really know, like, how to get at each other's nerves.
If you start off writing an album with a band, the reality is that you're constantly in each other's company, so it's really important that you get on with each other.
What do we have in life, really? If we're lucky we get to a certain age, and we have each other. We have the food we like. We have our crazy little rituals. And we have each other.
People need each other to help each other up. But we can't stand near each other because we fear each other. When you get over fear, nothing matters anymore but love.
A lot of bands don't really like each other. I read an Interpol interview the other day, it was a really good interview because it was showing a different aspect of a band. They don't really like each other - they work together and they kinda exist together and that's how they like it. They're like, "we didn't get into this band looking for friends."
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