A Quote by Owen Gleiberman
Josh Radnor is that rare thing: a writer-director who thinks like an actor but still knows how to create a comedy with shape and vision. Liberal Arts is the best movie about college I’ve seen since I don’t know what...Dryly affectionate and super-sharp. Elizabeth Olsen is every inch a star.
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I went to school at Radnor High School. And I went to a liberal arts college in St. Louis, Missouri, called Lindenwood College.
When people are bothering you constantly when you're trying to do just a simple thing that humans do every day but they won't let you do it without bugging you about it, that was a hard thing. Because I became a movie star overnight. From a working actor and working writer to a movie star.
I think it's yet to be seen how that is going to shape up. But I can tell we all know that President-elect [Donald] Trump doesn't like the Iran deal, thinks it's a terrible document, thinks it will create a nuclear arms race in the Middle East, which it already is beginning to do.
When I do a film, usually I work from my director. That's my boss. The director is interpreting the writer's vision, and we all interpret it, and they create their own vision as well.
My parents had an old-fashioned ideal of college, that four years at a liberal arts college should be a liberal arts education.
When asked how she knows when her writing is where she wants it to be: "I know when it's the best I can do. It may not be the best there is. Another writer may do it much better. But I know when it's the best I can do. I know that one of the great arts that the writer develops is the art of saying, 'No. No, I'm finished. Bye.' And leaving it alone. I will not write it into the ground. I will not write the life out of it. I won't do that."
One thing I am really dying to do, while I'm still young and in shape, is an action movie. I would love to do a Lara Croft type of thing that's really physical and tough. I want to have a gun and do martial arts. I would love to get paid to get into the best shape of my life.
Every actor thinks he's underused - unless he's a movie star.
A man’s ignorance sometimes is not only useful, but beautiful - while his knowledge, so called, is oftentimes worse than useless, besides being ugly. Which is the best man to deal with - he who knows nothing about a subject, and, what is extremely rare, knows that he knows nothing, or he who really knows something about it, but thinks that he knows all?
It's rare that I'm working on a movie and that's the case. My goal is the same, ultimately at a certain point you give it to the director and their vision. You're there to support that vision.
Michael Caine is a movie star, but he's also a great actor. I can't say that about every movie star. It's the concentration he has.
I had a 90-minute one-man show. I performed it and my life just exploded. Everything - my life just changed. Every writer, director, producer, studio head, movie star - they all wanted it. It was the hottest property since 'Rocky.'
Writing for television is completely different from movie scriptwriting. A movie is all about the director's vision, but television is a writer's medium.
There are lots of people I'd like to work with. It would be fun to be in a movie with Mary-Kate Olsen and Ashley Olsen.
The whole thing with comedy is that you are always in control. Writer, director, actor, producer, and sometimes bouncer. And you are just a piece of their puzzle.
The director is the most important because, ultimately, as an actor, when you watch a movie, it looks like an actor is giving a performance, and they kind of are. But, what's actually happening is that an actor has given a bunch of ingredients over to a director, who then constructs a performance. That's movie-making.
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