A Quote by Owen Jones

A sneer can often reveal far more about the sneerer than the object of their derision. — © Owen Jones
A sneer can often reveal far more about the sneerer than the object of their derision.
Perseverance in object, though not by the most direct way, is often more laudable than perpetual changes, as often as the object shifts light.
An intelligent observation of the facts of human existence will reveal to shallow-minded folk who sneer at the use of coincidence in the arts of fiction and drama that life itself is little more than a series of coincidences.
Love does nothing but make you weak! It turns you into an object of pity and derision-a mewling pathetic creature no more fit to live than a worm squirming on the pavement after a hard summer rain.
Nothing is more maddening than being questioned by the object of one's interest about the object of hers, should that object not be you.
The entrenched beliefs many westerners profess about Islam often reveal more about the West than they do about Islam or Muslims.
Surfaces reveal so much. The marks painters make reveal so much about their work and themselves; their sense of proportion, line, and rhythm is more telling than their signature. Looking at the surfaces of nature may offer equivalent revelations. What do these shapes and patterns reveal about the world and their creator? Surfaces hide so much.
The hand will often reveal more than the countenance.
The more someone talks, the more they reveal about themselves and the more they reveal about the way something has affected them.
Jesus warns people far more often about greed than about sex, yet almost no one thinks they are guilty of it.
America under Trump has gone from being a world leader to an object of derision.
Although human beings are incapable of talking about themselves with total honesty, it is much harder to avoid the truth while pretending to be other people. They often reveal much about themselves in a very straightforward way. I am certain that I did. There is nothing that says more about its creator than the work itself.
It is necessary that the object that the artist is shaping, whether it be a vase of clay or a fishing boat, be significant of something other than itself. This object must be a sign as well as an object; a meaning must animate it, and make it say more than it is.
What you want will pull like a magnet. Here's the other part. What for? Purpose is stronger than object. It's the 'What for?' that's even more powerful than the object. And the more you can describe in detail to stir the emotion and the intellect and the spirit and the soul, then the more powerful the 'what for' is.
What is that which can never die It is that faithful force that is born into us that one that is greater than us that calls new seed to the open and battered and barren places so that we can be resown. It is this force in its insistence in its loyalty to us in its love of us in its most often mysterious ways that is far greater far more majestic and far more ancient than any heretofore ever known.
Covering up, so far as I can see, is often the accompaniment to far more truly shameful behaviour than stripping off.
First loves are not necessarily more foolish than others; but the chances are certainly against them. Proximity of time or place, a variety of accidental circumstances more than the essential merits of the object, often produce what is called first love.
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