A Quote by Owen Pallett

I understand that in people's eyes, classical music is kind of a lost and dying art, but in my eyes, it's like, "Oh, the musical language, which has been, in the past, only available to a scarce few at the top of the tower, is now wide open." Now people's ears are becoming more amenable to fake strings - I think this is great!
Closing your eyes isn't going to change anything. Nothing's going to disappear just because you can't see what's going on. In fact, things will even be worse the next time you open your eyes. That's the kind of world we live in. Keep your eyes wide open. Only a coward closes his eyes. Closing your eyes and plugging up your ears won't make time stand still.
I still get scared at night. Every tiny creak, every little noise, I open my eyes real wide and listen with them. Have you noticed that? When it’s dark and you can’t see a thing, you open your eyes really wide and glance back and force, like your eyes become your ears?
As far as piano players are concerned, Oscar Peterson is my very favorite. I also like McCoy Tyner. I think that the big jazz stars, both now and in the past...how shall I say it? These guys are as great as Bach, Beethoven; all of them. People don't know it yet. If jazz survives and is put on a pedestal as an art form, the same as classical music has been through the years, a hundred years from now the kids will know who they were, with that kind of respect.
You don't realize that if you stop looking backwards craving the love and acceptance which you didn't receive from your parents, then you might open your eyes to what is available for you now. But you won't let go. If only you could see that looking back into an incomplete and imperfect past, with regret, blame, guilt or resentment is keeping you from the treasures that await you here now. The past has gone. You cannot rectify something that is no longer with you.
What's subcultural now is literally just a line of thinking, which is trying to be eyes wide open, in my view. It's no longer attached to a specific demographic or specifically downtrodden groups of people; it's much more free-floating, and you don't know where you're going to find it.
i thank You God for most this amazing day:for the leaping greenly spirits of trees and a blue true dream of sky; and for everything which is natural which is infinite which is yes (i who have died am alive again today, and this is the sun's birthday; this is the birth day of life and of love and wings: and of the gay great happening illimitably earth) how should tasting touching hearing seeing breathing any--lifted from the no of all nothing--human merely being doubt unimaginable You? (now the ears of my ears awake and now the eyes of my eyes are opened)
Now she looks pale and small, but her eyes make me think of wide- open skies that I have never actually seen, only dreamed of.
Even now, at 82 years old, if I don't learn something every day, you know what I think? It's a day lost. Now, I don't practice every day. I just take the guitar, swear at it. But I should be swearing at myself. But I fool with music. I'm doing something musically all the time. And my ears are wide open for anything I can hear.
I think that this television medium, or whatever we call it now, is a really great frontier to turn people onto music - to new music or old music. It's a great platform where you've got people's ears, and you can throw something at them. I like to use it to the fullest that I can.
We're dealing with music that is being played by traditional instruments in a specifically built building called a concert hall. But classical is not - the reference is wrong, because classical on one hand refers to one period in musical history, which is Mozart, Hayden, Beethoven, which is a fine period in musical history, but it was a while ago.On the other hand, it sort of alludes to some kind of "class," which A, is not true; B, is kind of detrimental to the whole idea. Because the point is that this music is available and it's actually relatively reasonably priced.
The reason I do photographs is to help people understand my music, so it's very important that I am the same, emotionally, in the photographs as in the music. Most people's eyes are much better developed than their ears. If they see a certain emotion in the photograph, then they'll understand the music.
Now the ears of my ears awake and now the eyes of my eyes are opened.
I'm really into everything. Something I've been asked throughout the years I've done the show is, "What kind of music are you into?" I find that to be a bizarre question, because it implies there are people out there that are only into one specific kind of music. But I think I, like most people, enjoy a wide variety of music.
For example, if ears are back on a horse, it's obviously not very happy. And the eyes show that it's not happy. Now, if the eyes are nice and soft and brown, then it's calm. You can see these things in horses and cattle, and I think that some of these people are just really good at picking up these signals, but they don't realize it.
And it is clear to Evan, now: the difference between what is and what has been done; the present and the past. He sees that what he does and who he is isn't based on the past unless he wants it to be... No. That is the past, which has been seen differently through many different eyes and has become hazy and unclear, like a pond when stirred with a stick. Only the present moment is clear and free from prejudice.
Taste, that eternal wanderer, which flies From head to ears, and now from ears to eyes.
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