A Quote by Owen Wilson
I remember hearing a good story about Jack Nicholson working with Stanley Kubrick on The Shining [1980]. Nicholson was saying that, as an actor, you always want to try to make things real. And believable. When he was working with Kubrick, he finished a take and said, "I feel like that was real." And Kubrick said, "Yes, it's real, but it's not interesting".
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I've been given that gift of working with Jack Nicholson and James Coburn and certain people who just out of nowhere break into stories - talking about working with Alfred Hitchcock or Kubrick. That's my real reward of my career.
I actually met a producer of Stanley Kubrick's who told me that Kubrick had never even thought about doing Perfume: The Story Of A Murderer. He just read it and didn't want to do it - that's it. There's a myth around that he said it's not filmable. But he never wanted to film it.
At age 12 I had an obsession with Kubrick's A Clockwork Orange and then proceeded to watch all the other Kubrick films I could including a doc called Stanley Kubrick: A Life in Pictures in which it was revealed to me that he started as a photographer...I got a camera sometime shortly after, but spent many years just photographing flowers in my neighborhood.
I like David Lynch; I like Stanley Kubrick. I'm a big fan of Kubrick.
It's hard enough to make a film without everyone saying, "Hang on, is this version as good as the one Kubrick would have made?" In peoples' minds they'll always think if Kubrick had done it it would be so much better. You don't need that extra stress.
'Love' has that Kubrick tonality to it, but this is not a Stanley Kubrick movie - there will never be another. At the same time, 'Love' has a modern feel. For example: In one scene, these astronauts go through a wormhole sequence, and you feel like you're being slapped around inside your head by a sonic boom.
When I was working with Stanley Kubrick [on "Eyes Wide Shut"], he would always say, "You never tell the audience what to feel. Let them choose to have their responses."
Stanley Kubrick was a big inspiration. People accuse me of never using my own material. But when did Kubrick? You look at his films and they are completely unique... completely separate entities.
Standing beneath the white light of an Apple store is like standing on a Stanley Kubrick movie set. His '2001: A Space Odyssey' predicted Jobs and a future where technology was our friend. Kubrick, of course, didn't like what he saw. And occasionally, I have my doubts.
Working on '2001' was my film school. Stanley Kubrick was my mentor.
Stanley Kubrick knew we had good graphics around MIT and came to my lab to find out how to do it. We had some really good stuff. I was very impressed with Kubrick; he knew all the graphics work I had ever heard of, and probably more.
I worked with Stanley Kubrick for almost a year back in 1990, trying to develop the screen story for his project 'Artificial Intelligence,' which is about a robot boy who wishes to become a real boy, a future scientific fairy tale inspired in the myth of Pinocchio.
If you see 'The Shining' with Jack Nicholson, you remember him not only because he is Jack Nicholson and because he does a wonderful job, but because he is a threat. The bad guy is someone people will have in their minds forever if it's a good bad guy.
I am nostalgic for those man-behind-the-curtain days when someone could get away with impersonating Kubrick because nobody had any idea what Kubrick looked like.
My first job after drama school was with Stanley Kubrick. It was only a few lines in 'A Clockwork Orange', but I was working with a master of cinema.
Stanley Kubrick made Shelly Duvall go crazy during 'The Shining.' It's like one of the best performances ever. Maybe he shouldn't have gone that far, but I love that movie.
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