A Quote by Owen Wilson

My roommate in college in Austin, Texas, was Wes Anderson. Wes always wanted to be a director. I was an English major in college, and he got us to work on a screenplay together. And then, in working on the screenplay, he wanted my brother, Luke, and me to act in this thing. We did a short film that was kind of a first act of what became Bottle Rocket.
There's no one type of film that I like watching. I loved 'Tropic Thunder' and the first 'Austin Powers,' and then 'The Godfather Parts I' and 'II,' 'There Will Be Blood,' Wes Anderson films.
In 2009, Scott Rudin sent me August's [Wilson] original screenplay [Fences] and asked me what I wanted to do with it. He wanted to know if I wanted to act in it, direct it or produce it. I said, "Well, let me read it first."
I'm a huge Wes Anderson fan. I literally love every single film. He hasn't made a bad film; I've seen every single one. They've all been brilliant, from 'Bottle Rocket' up to 'Moonrise Kingdom,' they've all been wonderful.
I moved out to L.A. to be a filmmaker or director. I didn't even think about doing comedy or even acting. I wanted to be like Paul Thomas Anderson or Wes Anderson, but I wasn't going to a lot of comedy.
In the beginning of college I wanted to be an English major, but then I became interested in international relations.
First, there has been a lot of interest in The Drive-in, but, alas, it hasn't actually come to fruition. Maybe soon. Don really got Bubba and I didn't think it could be a film. I thought it was too odd to make it to film. He asked me to do the screenplay, but I declined. I didn't see that it could be a screenplay but he wrote one and proved me wrong. He was always considerate about what I thought about the film and the story's presentation, but in the end, he's the director and he had to make decisions. All good ones.
Oh, absolutely. James Caan was the first movie star I'd ever met, much less worked with. He was an important person to me and my brothers and Wes. Bottle Rocket was the first movie for all of us. As you know, back then, [Caan] was having some career changes, I think.
There really isn't a dream role, but there's a dream situation where I could work with a director that I idolize. So, the idea of working with David Fincher or Paul Thomas Anderson or Wes Anderson or Scorsese or Spielberg or any of the guys I really idolize is a dream for me.
I came to Mumbai for my internship in advertising in an ad agency. Back then, a senior from my college who was working for Balaji asked whether I wanted to act. I agreed, and I didn't even know when it became my passion and my hobby.
I was writing when I was very young, and then I became interested in everything - I wanted to do photography. I wanted to act. I wanted to write plays, and then I wanted to film and to paint, but I felt that film had a condition that reunites everything.
I always wanted to play a monster, and I also wanted to work with Wes Craven.
I went to Dartmouth College so simply by being an Indian-American woman, I was already so statistically interesting. And then the fact that I didn't want to do anything science-related, and I wanted to write comedy plays and act little bit - I mean, I became deeply interesting in college because of how rare that was.
The idea of working with David Fincher or Paul Thomas Anderson or Wes Anderson or Scorsese or Spielberg or any of the guys I really idolize is a dream for me.
When I grew up I always wanted to act. Also, I wanted to be either a lawyer or a doctor. However, when I got to college and realized what those occupations entailed, I changed my mind real quick.
When I barely got into college, the one thing I could do was write, so I became an English major.
When I went to college, I went to a junior college. I wanted to go to the University of Alabama but had to go to junior college first to get my GPA up. I did a half-year of junior college, then dropped out and had my daughter. College was always an opportunity to go back. But she, my daughter, was my support. I gave up everything for her.
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