A Quote by Owen Wilson
Anna Wintour has a reputation - she can be very intimidating - but that day [Valentino show] she was just smiling and laughing. That was my first time meeting her, and she seemed like she was having a great time. Everybody was enjoying themselves.
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I remember watching Meryl Streep in, The River Wild. There's this scene where she's has a gun pointed at her, it's absurd in a lot of ways. Someone pulls a gun on her I think, I'm not really fully aware of the scene and she just, she starts, you see her terrified. And then all of a sudden she starts to burst out laughing. She starts laughing. Like she can't stop laughing. Because she's terrified and she's emotional and there are no rules to what you're supposed to feel. That to me is like A number one, that's the thing I have to remind myself all the time.
Anna Wintour doesn't deal with pictures; she is just doing PR and business, and she scares everybody.
But even in her laughter there was something missing. She never seemed to be truly happy; she just seemed to be passing time while she waited for something else. She was tired of just existing; she wanted to live.
I love Marilyn Monroe. I think she was the coolest blonde. I think like me she just didn't care what anyone thinks. She's happy. She's smiling. I don't know, I just always thought she was so beautiful and she just seemed, like, magical.
Daphne is the eldest of the Bridgerton daughters, so she is the first to make her debut on the marriage mart and she's waited her whole life for this moment. When we meet her, she conforms to the social pressures placed on young women at the time but as she evolves, she very much finds her voice.
Her life was beginning to make sense again, although she couldn’t say she was enjoying it. But her mind was clear, and her heart was not constantly as heavy. Only when she thought about him. But she knew that in time, she’d survive it. She had done it before and would again. Eventually the heart repairs.
Mother Teresa was a hero of mine for a long time. I just like the way she took on the world from a very humble place. She has a great quote. When she was leaving her monestary to start Sisters of Charity, she had two pennies. She was asked by a head priest what she could possibly do with two pennies. She said, 'Nothing. But with two pennies and God, I can do anything'.
She was the first person on either side of her family to go to college, and she held herself to insanely high standards. She worried a lot about whether she was good enough. It was surprising to see how relieved she seemed whenever I told her how amazing she was. I wanted her to feel strong and free. She was beautiful when she was free.
She liked to imagine that when she passed, the world looked after her, but she also knew how anonymous she was. Except when she was at work, no one knew where she was at any time of day and no one waited for her. It was immaculate anonymity.
I'm pretty laidback as a dad anyway. I just trust her so much. She has a great head on her shoulders and she makes pretty good decisions most of the time. She even has enough common sense that if she makes a bad one she makes adjustments and knows that's what life is. It's a day-by-day, step-by-step journey through life, as she says in the movie.
Sometimes, when you briefly glance in Hollywood, there's a tendency to play it in a very "Yes, she's exhausted, and yes, she's working, and yes, she's taking care of her kids full time, and yes, she's a mom, but she's also in a great mood all
the time."
My mother is somebody who I think of as having just an intense close focus. She's somebody who really can pay very, very close attention to the thing she's focusing on for a very long period of time, and that has served her incredibly well in her professional career. She knows - the things she knows, she knows them just so deeply.
An old woman I loved very much when I was young - the wife of Jean Villard - she's just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That's all she does - she almost doesn't recognize her children, but she recites Valéry and Baudelaire. So what? We're the ones who are suffering. She's not.
My mother was a great typist. She said she loved to type because it gave her time to think. She was a secretary for an insurance company. She was a poor girl; she'd grown up in an orphanage, and she went to a business college - and then worked to put her brothers through school.
She emptied herself of Fabio and of herself, of all the useless efforts she had made to get where she was and find nothing there. With detached curiosity she observed the rebirth of her weaknesses, her obsessions. This time she would let them decide, since she hadn't been able to do anything anyway. Against certain parts of yourself you remain powerless, she said to herself, as she regressed pleasurably to the time when she was a girl.
She couldn’t read his expression. As he started toward her, she recalled the way he’d seemed to glide through the sand the first time she’d ever seen him; she remembered their kiss on the boat dock the night of his sister’s wedding. And she heard again the words she’d said to him on the day they’d said good-bye. She was besieged by a storm of conflicting emotions—desire, regret, longing, fear, grief, love. There was so much to say, yet what could they really begin to say in this awkward setting and with so much time already passed?
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