A Quote by Owen Wilson

Maybe because I began as a writer, I have a good ear for dialogue, and maybe being an English major - and that I also read a lot as a kid - if I hear somebody say something that I think's funny, or I find a situation or story, I'll try to work that into the movie.
Comedy is probably a lot harder for me. Maybe it's because I've been doing drama for so long or maybe it's because... you don't want to search for a laugh; you can't try to be funny, you just have to naturally be funny or be in a situation that's funny.
I don't think all comedy should be mindless. Have something that's thoughtful. Maybe some things are tongue-in-cheek; maybe some things are very direct. I like that people have to think about things. That excites me. Because if you say certain things, it starts a dialogue. Even if you disagree, it's still a dialogue.
As far as 'Venom,' we took some license with this because I don't think we know a lot about him from his days on planet Klyntar in the comic. But in our movie we thought maybe he could also be somebody who's a little bit of a loser, a loner, and doesn't love being subordinate.
I just find it funny and terrible: someone being very rude and overbearing over somebody who doesn't know how to deal with it. Maybe it's because I've experienced that sort of thing and I don't know how to say, 'You can't do that. You can't say that to me.'
I don't think we need a critic to negotiate with the audience. People say, "Who are you writing for?" I'm writing for myself but my audience is anybody who knows how to read. I think a story should engage anybody who knows how to read. And I hope that my stories do, maybe on a different level for more sophisticated readers than, say, a high school kid, but still a story has got to grab you. That's why we read it.
I would never say that I'm good at being on dates. I think I like to try to find a connection with somebody, like, that's my main thing. I think that maybe if you find a connection with a girl on a date, that's like the No. 1 thing, and then it's like, 'Cool, that was a great date.'
I stopped reading William Faulkner because it's hard work. I want to read a good writer, but I also want to read something where the pages are going to move along. That's what I want. It doesn't have to be a thriller or a mystery. Just something where I get caught up in the story.
I think maybe I became funny because as a kid, I was a Jew in a town of no Jews, and being funny just instinctively came about as a way to put people at ease around me.
Sometimes I'll hear a certain approach that kinda cathes my ear, like „It's kinda cool what that guy's doing there", or maybe an effect that somebody's using, or a guitar sound, or something that kinda makes me open up. But the funny thing is i realise over time how sort of traditional i am.
It's not uncommon to hear people say that the re-entry into their lives is very hard. A lot of actors say that the hardest thing about working is not working, because you go from one of the most structured environments in the world to a place of no structure. Maybe that's why you see someone go from movie to movie to movie.
I was a business major at the University of Richmond, and after I graduated, I took a job at a corporate ad agency. I had comedic dreams, but I also had a realistic look at what I had to do when I left school: maybe I'm funny, but maybe I'm one of a hundred thousand funny people, you know?
When a novelist manages to describe or evoke something you thought or felt, without realizing that other people also found themselves in the same situation and had the same feelings, it creates that same solidarity. Maybe it's better to think of humor not as a tool to express the solidarity, but a kind of by-product. Maybe the realization "I'm not on my own on this one" is always, or often, funny.
Maybe you could be a great writer - maybe even good enough to write a book or articles in a newspaper - but you might not know it until you write that English paper - that English class paper that's assigned to you.
I probably get a deeper satisfaction of having taken a very good photograph than of having written something very good, a very good story. Maybe it's because the element of magic is so present in a good photograph - luck and magic, but also hard work and being ready and all that.
I think maybe the English don't want to try something and look stupid, because they are a bit reserved.
I think, to a degree, I'm maybe more suited for voice work. And I don't just mean my face and body. Because maybe there's something about what I do that just, for some reason, is better to just hear me.
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