A Quote by Owen Wilson

I think the way it works is that when you're casting a movie, you usually want to work with people that you believe in. — © Owen Wilson
I think the way it works is that when you're casting a movie, you usually want to work with people that you believe in.
If you work in casting, it's sort of not cool to want to act. A lot of people think that casting directors are frustrated actors, but it wasn't true with any of the casting people I knew.
People don't always understand the way it works with casting. TV projects tend to be commissioned to screen at a particular time of year, so your shooting dates are chosen to meet that. And then the casting is a matter of choosing from the actors who are available for those dates.
The 2-D movie works as well as the 3-D movie. I want to make sure that people like the 2-D version. It's not a gimmick. It actually improves the viewing experience, but the movie stands on its own.
One big lesson I learned from movie [making] was I don't do creative projects that I headline unless I have all the control. I can't deal with having to live with other people's screw ups, and that's just sort of the way the movie business works. The people with the money are in charge. Until I'm in charge, I don't want to play that game.
I am a Christian and I don't want there to be any confusion about what I believe or who I am. I don't believe gay people are going to hell. I believe that judgment is left to the one upstairs and I believe Jesus is all about love. If I can live my life even just a smidgen the way God made his son for us as an example, I'm happy. I do not judge other people for what they believe, but for me, this is what works.
I think it has a lot to do with determination. I treat people the way I want to be treated and believe if you work hard you can have the things you want in life.
'Lady Bird' probably doesn't need more attention than it has gotten. It's a perfect movie, and some of its perfection is in its casting, but this is a movie crammed with wonderful work by people who aren't Laurie Metcalf and Saoirse Ronan: people like Lucas Hedges, Tracy Letts, Stephen McKinley Henderson, and, yes, that Timothee Chalamet.
My fear in converting it to 3-D is that people will say, 'Oh, it's the 3-D 'Clash of the Titans.' No, it's 'Clash of the Titans,' the movie, and then, on top of that, you have the 3-D conversion. The 2-D movie works as well as the 3-D movie. I want to make sure that people like the 2-D version.
I believe in believing. My coach John Kavanagh is a big atheist and he is always trying to persuade people to his way of thinking, and I think what a waste of energy. If people want to believe in this god, or that god, that's fine by me, believe away. But I think we can be our own gods. I believe in myself.
I believe in believing. My coach John Kavanagh is a big atheist, and he is always trying to persuade people to his way of thinking, and I think, 'What a waste of energy.' If people want to believe in this god or that god, that's fine by me; believe away. But I think we can be our own gods. I believe in myself.
I believe it is a big mistake to think that money is the only way to compensate a person for his work. People need money, but they also want to be happy in their work and proud of it.
Casting is everything. I put a huge amount of work into casting, and consistently across my career, I am most proud of my bold choices I made in casting.
A lot of people – and I’m just not one of them – believe that you should live for the now. I think what you do is think about the great expanse of time ahead of you and try to make sure that you’re planning for that in a way that’s going to leave you ultimately satisfied. This is the way it works for me.
Marches work, rallies work, civil disobedience works, direct action works, voting works, writing letters works, speaking to churches and schools works, rioting works.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
If the movie works, nobody notices the mistakes... If the movie doesn't work, the only thing people notice are mistakes.
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