A Quote by Owsley Stanley
I have always wanted some way that you could make a surface in a computer, like you pick up a piece of clay and make sculpture.
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When she saw my messy desk, she said she was the same way, and there was no dust on the TV, and I was easy to love. People just need a little help because they are so used to not loving. It's like scoring the clay to make another piece of clay stick to it.
I feel more as if I'm shaping something with my hands. I feel as if I've always wanted to get to that state. Like a blind man in a dark room had some clay, what would he make? I end up with 2 or 3 forms on a canvas, but it gets very physical for me.
First of all I think of puppets as sculpture. They are sculpture that moves. You could label it any way you want, but for me it always starts in my mind as a sculpture.
Before I started working on a computer, writing a piece would be like making something up every day, taking the material and never quite knowing where you were going to go next with the material. With a computer it was less like painting and more like sculpture, where you start with a block of something and then start shaping it.
Maybe an artist's position in society is different today because it's more individualistic. You're not a direct servant anymore to the patron-you're an indirect servant, or a servant with a choice, or maybe you could not even serve. It's the way you make something. You draw it, you carve it out. Later you build it up from a flat surface. There is no other way to do a sculpture - you either add or you subtract. If you don't enjoy making work, then it's bad... artwork is brutal for so many people... I like the idea of an artist as sombody who works.
When I became director of the Metropolitan Museum of Art, it was stodgy, gray, run by elitists. I said, 'Hey, let's kick the thing around.' I wanted to attract young people to the museum. I said, 'Make it hospitable. I want them to come. I want them to make dates, pick up girls, pick up boys - either way; I don't care.'
I feel like I'm playing some of my best tennis on clay. I'm sliding a lot, moving a lot. I know how to adjust to the surface, so I'm loving the clay.
[I have a] way of making narrative sculpture, where first you make a text and out of that text you make objects. [...] I start with a story and then I make sculpture from that story, it's just that the stories become more and more elaborate.
Like I always say - be where you're at. For me, that means that when I'm home with my family and the phone rings with a number I don't recognize, I don't pick it up; it could be an important call, or it could be a radio interview that I would usually make time for.
I always wanted to make the matches in some way different unique and interesting. I never wanted to have that basic match. I just wanted us to stand out in some way or another, whether it was storytelling or interesting wrestling moves.
Another thing about creation is that every day it is like it gave birth, and it's always kind of an innocent and refreshing. So it's always virginal to me, and it's always a surprise. ... Each piece seems to have a life of its own. Every little piece or every big piece that I make becomes a very living thing to me, very living. I could make a million pieces; the next piece gives me a whole new thing. It is a new center. Life is total at that particular time. And that's why it's right. That reaffirms my life.
To make an embarrassing admission, I like video games. That's what got me into software engineering when I was a kid. I wanted to make money so I could buy a better computer to play better video games. Nothing like saving the world.
To make an embarrassing admission, I like video games. That's what got me into software engineering when I was a kid. I wanted to make money so I could buy a better computer to play better video games - nothing like saving the world.
The youngsters who live in housing projects are some of the most talented and nicest kids you'll find anywhere. But they're right on the cutting edge - they could go either way. You have to work with them, guide them, and mold them like a piece of clay.
I like to make sculpture because it makes my life social. When I make drawings, I work alone. When I work with sculpture I have someone I can work with.
I've always said that to make movies, to make images and sound, is possible by one way or another. And it has not to be ruled by the Pharaohs of Egypt, the Pharaohs from Hollywood or wherever. I have tried very hard to make even a small budget picture here. It always fails. Over a dozen times. And now I know why. It was only because I wanted to be in control of the money. To spend it the way I wanted.
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