A Quote by Ozuna

That, to me, is the real crossover: a mainstream artist singing in Spanish. — © Ozuna
That, to me, is the real crossover: a mainstream artist singing in Spanish.
To me, a big crossover was what happened to me years ago, like bringing my music in Spanish to Europe, or Asia. To me, that's a crossover because Spanish is not a language that everybody talks.
Singing in Spanish is much more honest, much closer to my roots. For me, Spanish is essential. I still think in Spanish, dream in Spanish. It's the melodies and arrangements that transmit meaning.
Son-In-Law was kind of my crossover. It was the movie that brought me out of the MTV audience into the mainstream.
I've got my girl records that are real feel-good and could be a radio crossover. But it's not me going in that direction, and being like, "We need this huge pop crossover record where we need this girl on the hook."
I think I'm a crossover athlete to get the sport into the mainstream media.
I want to invite the mainstream into my world and to my sound and to what I'm doing. And I want mainstream artists to respect me and accept Latino artists as equals without us having to sing in English. I want them to know that I can compete globally, with whomever, in Spanish.
Sometimes I get more of a mainstream crowd that just is not moving to what I'm playing. I have to have crossover secret weapons.
Zumbao' is a word that is not commonly used in mainstream America or even mainstream Latino America. For me, I needed a word that describes me as a performer, as an artist and that is just me wilding out and being crazy. I'm Zumbao.
I took Spanish in high school and I didn't do too well in it. My Spanish teacher told me not to go on with Spanish anymore, so I was discouraged a little bit.
Mainstream's never appealed to me, really. I mean, I've become popular over the years in certain areas. But mainstream, you know, I would rather the mainstream come to me.
I don't speak Spanish. I've done Spanish 1 and 2 classes. My grandma asked me when I was young if I wanted to learn Spanish, and I guess I was young. I should have, because it would have helped me a lot.
When you sing in English and Spanish, it's two completely different forms of expression and... even the people who don't speak Spanish love to hear me sing in Spanish.
Often times, if you're a bit of a crossover artist, audiences see you as only one thing.
On-stage, I definitely want to use my real self because I'm singing to people who believe in what I'm singing, and I believe in what I'm singing, but they shouldn't be fooled because we all have fake selves and it's in there somewhere. It's not pretending to hurt somebody; it's just something that comes out of me, from my experience.
I think they want to keep it separate, but I've never been a crossover artist for some reason.
I've been criticized for doing so - crossover music. But I never claimed to be a pure dancehall artist.
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