A Quote by Ozwald Boateng
Because I'm a designer, I'm quite good when I shop. I know what I'm looking for.
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I think I'd be quite good at Builder, like designer, construction... I've always liked making things. I'm quite good with my hands. So I think I'd be quite good at designing new inventions.
I live in Selfridges because it has everything under one roof. Liberty's is great for the same reason - I'm so lazy, I hate walking from shop to shop. Powder in Crouch End always has great designer labels in, so when I walk past I have to put my blinkers on because every time I nip in I come out with too much stuff; it's dangerous.
I've always been quite thrifty. I can't bear to spend hundreds of pounds on designer clothes. I shop in second-hand shops in Portobello Road and go to Sue Ryder.
I'm an unbelievable designer. I don't know how I know and just do these things. I just start sketching and then I just know the colors and I always know the forecast. I know green and purple are going to be hot. I was born to be a designer. I worked hard to be a tennis player, I don't work hard to be a designer.
I'm never going to be one of those people who is good at organization. But I'm very visual. I have a catalog in my head of things I already own, so it's easy to shop and I always know exactly what I'm looking for.
I have been called an eco-designer simply because I use wood. But I am not an eco-designer, nor does the use of wood make me one. I am a designer who cares about the effect of what I do, and about making good things for people to keep and cherish - that, surely, is simply the basic condition for 'good design'?
I don't shop just high-end, honestly. I shop at Zara, I shop at Topshop, I shop at H&M. I shop everywhere.
There is a shop close to where I live, outside which, on certain nights of the month - I've no idea if the transit of the moon determines precisely when - fans of designer skateboards queue from early evening in order - well in order, I presume - to be among the first to jump on a skateboard when the shop opens in the morning.
I certainly was not the romantic lead. I couldn't be that, because I was not that good looking. And that is something about Hollywood that I do not like at all. Why can't a woman who is just normally good looking fall in love? I mean, everybody in the movies is so good looking.
No one loves authenticity like a graphic designer. And no one is quite as good at simulating it.
Always I remember when I am young, I ask my mother, 'I really want to be a dress designer.' In that time, was quite difficult because, you know, my family always criticize me for it not to be a man's job.
So we want to make it easier to shop and understand products because many people aren't educated about what's offered - do you know your premiums? Do you know your copays? Do you know your deductibles? And so figuring out ways that we help people understand what this is, how it works, and that they can shop to get what they need.
The coffee shop played a big role in Vienna of 1900. Rents were sky high, housing was difficult to come by, your apartment probably wasn't heated, and so you went to the coffee shop. You went to the coffee shop because it was warm, because it was great Viennese coffee, and you went for the conversation and the company.
The '70s were full of creativity. Everybody was so unique. It was a very creative period, and I think to be a designer you have to know a little about art and literature and music because there is inspiration in all of these things. You're looking for beauty but also something that makes sense.
I don't shop as much as a lot of people but I do like designer clothes.
Unless I really make an effort, I quite enjoy looking a bit off and something looking a bit wrong. That's how I feel most comfortable. If anything, it's just because I'm, like, very scatty and not very good at putting stuff together.
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