A Quote by Ozwald Boateng
I had a suit made for me when I was five. It was double-breasted, mohair and purple. My mother was very particular about clothing - it always used to have to go back into the plastic and it used to drive me insane.
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Spring 2010 is the second season that I'm showing the double-breasted suit. I think the right double-breasted suit is young again.
Never wear a button-down collared shirt with a double-breasted suit. The more formal double-breasted suit looks best with the more formal spread or long-point collar.
Even though it's not a widely appreciated yarn, any suit made from a mohair-wool blend travels exceptionally well. The retention of the mohair fiber bounces back and minimizes any creasing that occurs whilst traveling. Mohair also breathes really well, keeping you cool or warm, and is therefore extremely versatile.
When I was a kid, my pop used to take me to the double feature. He would take me - I had two brothers - and we used to go in the early '80s and check out these grindhouse movies - a double feature, sometimes a triple feature.
I used to hang out with grandfather all the time because he used to pick me up from school sometimes, or drive me to my mother's, so I'd be with my grandfather a lot. I used to watch him write his sermons.
My mother is a huge fan of my work. I told her about 'Coraline' long before the film was made, and she got the book and read it. She reminded me that when I was about five years old, I used to sit in the kitchen for hours and talk about my 'other' family in Africa, my other mother and father. I had totally forgotten that.
I had no boundaries at home, so I had nothing to push against. I only rebelled with clothing when I was 14. I would wear purple Doc Martens and had purple streaks in my hair, dirty jeans, and baggy tops. Very Britpop. Anything that wasn't girly or feminine. My mother hated it.
I was really, really shy. My dad used to drive me for an hour and a half to go training. I used to finish school, jump in the car, come back, and go to bed. I missed out on socialising with my friends when I was a shy child anyway.
I had a world theme at my Bar Mitzvah: each table was a different country. I had a miserable time. There was one picture of me, and I'm wearing a double-breasted suit. There were all these people having fun, and I'm just standing there. I look like a corporate lawyer who just found out he's not making partner.
I'm always on duty, so I tend to wear suits. I've got double-breasted and single-breasted, mostly dark blues and grays. I'm obsessed with them, and I always have been.
My mother always said bringing me up was a tiring business, which I 'believe. For instance, when we lived in Singapore, the Chinese staff used to leave their slippers at the bottom of the steps. Every night, I used to go and remove their slippers. I stopped being tiresome at about 14.
My family is extremely supportive of me. My mother has been accompanying me to the shoots, and my father used to drive me around for auditions.
My oldest brother and my middle brother would always beat me up and take the ball from me. I used to cry a lot, so I used to come in here and get my dad. He used to be on my team, so he used to hold them down and let me score the basket.
If Richard Branson had worn a pair of steel-rimmed glasses, a double-breasted suit and shaved off his beard, I would have taken him seriously. As it was I couldn't . . .
After I was released, people used to keep asking me, 'what's it like to be free? And it was very difficult for me to answer. I'd always felt free. As far as my state of mind was concerned, I didn't feel any different...People ask me about what sacrifices I've made. I always answer: I've made no sacrifices, I've made choices.
It's the ultimate for me not to see how it's made. I find it vulgar when you can distinguish how something is made. I used to be a student at the Chambre Syndicale de la Haute Couture in Paris, and once I got to go to a Saint Laurent couture show. Everyone was always talking about how fabulous the tailoring was, but I was transfixed by this one particular dress. It was just a piece of fabric, but as the model was walking, you didn't know how she got into it, how it closed, where the seams were, and that, for me, was perfection. It stayed with me as a lifelong vision.
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