A Quote by Ozzy Osbourne

I didn't really like the taste of booze. I liked the effect it did on me. But I can't say I savored a glass full of Chablis Chablis 1932. I drank whatever s - - was in front of me and got me buzzed.
There are, it has been said, two types of people in the world. There are those who, when presented with a glass that is exactly half full, say: this glass is half full. And then there are those who say: this glass is half empty. The world belongs, however, to those who can look at the glass and say: What's up with this glass? Excuse me? Excuse me? This is my glass? I don't think so. My glass was full! And it was a bigger glass! Who's been pinching my beer?
If the glass there in front of me astounds me more than all the glasses I've seen in painting, and if I even think that the greatest architectural wonder of the world couldn't affect me more than this glass, it's really not worth while going to the Indies to see some temple or other when I have as much and more right in front of me.
Too much Chablis can make you whablis.
I was quite into biology and chemistry at school, and I did well in my maths GCSE – I really liked it and got an A – so I quite fancied a career in forensics or something like that. But I bet if you put a maths exam paper in front of me now I wouldn’t have a clue.
One day, someone showed me a glass of water that was half full. And he said, "Is it half full or half empty?" So I drank the water. No more problem.
I liked being home playing in front of my people, but I just did not like the situation because I was playing shooting guard, and that is not my position. I would play it if someone like Rip got hurt, but to do it for an entire season, that is not my position. I got it done when I was asked to do. But inside, I know that is not me.
My first CD that I had was the Ying Yang Twinz, and my grandma bought it for me. Honestly, I think my grandma got it from a thrift store or something. She just got it for me. It was in downtown Philadelphia. And I would listen to it. I liked it. None of my friends did, though, but I liked it.
It was never so much the heavy metal thunder that got me. I was into players who played with taste and did these walking bass parts. If you can play like that, it really opens up the music. You can't just pound away. After a while it's like, 'So what? What else you got?'
I never got in a conflict. I didn't want Don Shula to say a word to me at all. My play emphasized that. He couldn't get me for anything or whatever. After that we were ok. I just didn't like the way they used me at the end of the 1963 season going in 1964. I felt that they played games with me.
It's possible to keep drawing this moment out, any moment, hammering it thinner and thinner like beaten gold, like iced chablis, whipping it, whipping it to cheap perfume, each word blown to aneurysm.
I can only speak for myself but for me imagination and invention cannot generate something more important, more beautiful and more terrifying than the common object, amplified by the attention that we give it. An object alone, in front of me who is alone, exactly in front of me just as I would like to have in front of me someone who really interests me, in a good light to better observe it.
My brother really shaped my musical taste when I was younger. He turned me on to classic rock like Led Zeppelin, and then he got me into R.E.M. and U2.
I don't rely on catchphrases or really like sing-along. I just do whatever I feel. Whatever the beat makes me say, I do that and I run with that. It's been working for me, so I'd be cool with that.
Once I got a bit older, and we could see there could be a future in football, it was everyone's blessing to chase that dream. And it did me a lot of good: It put me through college, it gave me an education, it got me a little taste of pro ball and a lot of good memories. I don't regret any of it.
When someone says to me, do you do stand-up I say absolutely not. I like to think of it as a theatrical performance. With me the show changes maybe five to ten percent every night. Of course, whatever I see in front of me and sometimes I get on a little run about it and it changes the show. And my delivery is such that people who have seen me many times say Gee, I never heard that before. Actually, they have, but I might have changed it around.
My big fight is not in the movie and I don't understand that decision but I know he's right about it, whatever it is. Quentin did not hire me because I'm a kung fu expert; he hired me because he liked to listen to me talk.
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