A Quote by Ozzy Osbourne

Black Sabbath wasn't like the Bon Jovis of the time. We were just a bunch of guys that were against the grain of society. And we sung about things that people thought back then.
The other thing that I got back then - the Parker novels have never had much of anything to do with race. There have been a few black characters here and there, but the first batch of books back then, I got a lot of letters from urban black guys in their 20s, 30s, 40s. What were they seeing that they were reacting to? And I think I finally figured it out - at that time, they were guys who felt very excluded from society, that they had been rejected by the greater American world.
When we did 'Air Dance,' I thought we were actually quite courageous doing that because it's not necessarily quote-unquote a Black Sabbath song. But I don't give a damn about that because it is part of Black Sabbath; it is a Black Sabbath song.
We never considered ourselves to be a good band or anything, we just thought we were playing for fun and we wanted to play music that sounded like Black Sabbath or Soundgarden or the music we were into at that time.
For Bobby and I to sing R&B and sound black was probably the stupidest thing we could do. White radio stations wouldn't play us because they thought we were black. Black stations wouldn't play us because they thought we were white. Any time you break ground, you go against the grain.
One of the things I loved about Black Sabbath was, when we were on the road, there were times we had been on the road for so long and we were tired and we were exhausted. We would show up at gigs and we were so tired that we would be fast asleep in the dressing room. Our road manager would come in and say, '20 minutes, guys.'
When I started doing my act, I wasn't married and didn't have kids. I was probably 29 years old. Some people say that's not a kid, but when you're 50, and you look back to when you were 30, you were a kid. You look back on your 30s and think, "I was an idiot!" But I would just do things then I thought were funny. I couldn't have cared less who thought anything about it.
At screenings for 'Black in America,' I've heard people say, 'Well you know, I never thought you were black until you did Katrina, and then I thought you were black.'
The Spartans were a paradoxical people. They were the biggest slave owners in Greece. But at the same time, Spartan women had an unusual level of rights. It's a paradox that they were a bunch of people who in many ways were fascist, but they were the bulwark against the fall of democracy.
I was, like, "Wow, is this ever going to happen again? Am I ever going to work with another bunch of people I get along with this well?" And then, sure enough, Threshold was just a great bunch of people, and I thought, "Hey, I could hang with these people for a long time!" But, unfortunately, it was 13 episodes and we were out of there.
I always kind of divided the gay guys I met up into two groups when I first started coming out. There were the guys who thought there was something fundamentally wrong with them and hated themselves and were so burdened with shame and internalized homophobia. It just really paralyzed and shredded them. And then there were guys like me who thought, "I'm fine, everybody else is crazy. My church is sick and the family's crazy, but me? I'm fine."
When I was young I thought, 'Yeah, people don't see, they're not recognizing how funny I am, and how talented I am'. And the guys that mentored me were like, 'You just have to keep getting up'. And I look back and they were right. They were all right.
There’s one thing about Black Sabbath which should not be understated: If Black Sabbath is missing any one of its members it’s no longer Black Sabbath.
I never planned to join Black Sabbath - it just happened. It was back in 1979 when they were celebrating their 10th anniversary.
Back in the day, I was a Royce Gracie fan and a fan of Tank Abbott. It's always the different-looking guys that you want to root for. Then there were guys like Mark Coleman and Randy Couture, so for me to get in there and fight against guys like that is pretty cool.
When your 18th, 19, 20 years old like we were at that time, its just like anyone else, you look at like Silverchair and bands like that that are super young and sound extremely derivative of bands that were out at that current moment. As they sounded like 'Nirvana in pajamas' as we called them, we sounded like Bon Jovi and Skid Row and Motley Crue, because we were only influenced by what was out at the time because we were so young
When the war was over and the guys were back to shaving every day, the editor thought the Beetle Bailey strips were hurting their disciplinary efforts to get the guys back to routine.
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