A Quote by Ozzy Osbourne

I'm not one of these guys to do my solo stuff one night and Black Sabbath the next. I can't do that, you know. It's too much to handle. — © Ozzy Osbourne
I'm not one of these guys to do my solo stuff one night and Black Sabbath the next. I can't do that, you know. It's too much to handle.
I once asked Ozzy Osbourne, truly one of my favorite people in the world, if he was cool with singing Black Sabbath songs year after year, whether he was performing with Black Sabbath or out on a solo tour. He said it was great.
There’s one thing about Black Sabbath which should not be understated: If Black Sabbath is missing any one of its members it’s no longer Black Sabbath.
When we did 'Air Dance,' I thought we were actually quite courageous doing that because it's not necessarily quote-unquote a Black Sabbath song. But I don't give a damn about that because it is part of Black Sabbath; it is a Black Sabbath song.
There are some pop songs I hate but I can't get them out of my head. Our songs also have the standard pop format: Verse, chorus, verse, chorus, solo, bad solo. All in all, I think we sound like The Knack and the Bay City Rollers being molested by Black Flag and Black Sabbath.
You listen to Black Sabbath with Ronnie James Dio in it, and it's not Black Sabbath. They should have just called it 'Heaven and Hell' right from the beginning. Because you listen to that 'Heaven and Hell' album, that doesn't sound anything close to Black Sabbath.
I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
Now, I know it’s hard, particularly for our young people, to choose to observe the Sabbath day when athletic teams on which they so much want to participate regularly schedule games on Sunday. I too know it seems trivial to many who are in need of just a few items on the Sabbath to quickly stop at a convenience store to make a Sunday purchase. But I also know that remembering to keep the Sabbath day holy is one of the most important commandments we can observe in preparing us to be the recipients of the whisperings of the Spirit
I started getting seriously into music when I was a kid. 1978 was my big year. It just hit home. That was before real metal. There was Black Sabbath and that kind of stuff, but the real underground, hard stuff wasn't even around yet. It was cool to watch that happen and latch onto the next edge of things every time that progression happened.
I've often said that with Black Sabbath you ought to have put a lasso around the sound and pulled it in. That's the best way to record Black Sabbath.
I feel like I have to be on my game because I have to handle my solo stuff and Pentatonix stuff, so it has really kept me on my toes in a good way.
Back in 1985, I was working on my third solo album when the band came to me and asked me to produce the next Fleetwood Mac project. At that point, I put aside my solo work - which was half finished - and committed myself for the next seventeen months to producing 'Tango in the Night.'
It was a JOB; the video show was a JOB; you don't tell the Aristocrats joke at 8 o'clock at night on network tv, it would be funny though. But those guys know I like dirty stuff, I like clean stuff too.
I get to play what I'm feeling on my solo records, and I get to bang the hell out of a drum kit in Black Sabbath.
I always say, no matter what happens to me as a black man in country music, I can handle it if Charley Pride could handle all the stuff he went through.
There was so much good and different music back then and you'd just keep moving through it and discovering more new stuff. I went through my Black Sabbath phase before I even started playing guitar.
Everybody knows that Black Sabbath started everything and almost every single thing that people are playing today has already been done by Black Sabbath. They wrote every single good riff... ever.
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