A Quote by P. D. James
Unnatural death always provoked a peculiar unease, an uncomfortable realization that there were still some things that might not be susceptible to bureaucratic control.
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Fear is unnatural. Lightning and thunder are unnatural. Pain, death, reality, these are all unnatural. We can't bear these things as they are. We know too much. So we resort to repression, compromise and disguise. This is how we survive the universe. This is the natural language of the species.
Some audiences might find homosexuality an uncomfortable subject matter, and a character who is a Japanese collaborator is always uncomfortable.
The Analytical Engine might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine… Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent.
The forces that run the world always try to keep things under control. The population might be having a wonderful time, buying iPods and going to nice restaurants, but I still feel they're all kind of under control.
There were some coaches, some teammates, some sports psychology people who I could trust and rely on. They were very important to keep me focused on the right things - the things which would be beneficial to me instead of catastrophising things and worrying about things which were not in my control.
That said, it was pretty awkward and a weird thing to shoot. Some women had a sense of humour about it and we'd laugh, but some were very serious and suspicious... like I might be doing something bad, or maybe they were just uncomfortable.
Now, especially in public places, you always have that unease. When the children were cast, if I thought that they might be victims of violence because of participating in this movie, we would have chosen children from outside this country.
I thank the Lord that, even though things were so wrong in my life here, I finally was brought to the realization of what all those struggles were about. There are some wonderful things from your painful past, things with a beauty you may not have realized at the time.
The opposite of compromise is not integrity. The opposite of compromise is not idealism. The opposite of compromise is fanaticism and death. And yes, I know one or two things about fanaticism and death, and I reject them. The alternative to fanaticism and to death is not some miraculous realization that someone has been wrong and he has to apologize. No, the answer to fanaticism and to death is curiosity and compromise and concession.
There's lots of things that can be solved with cash. And there's occasional things that can't be solved with cash, which become a bureaucratic nightmare for some reason, and there's no distinction between the two. There's no way of reading a situation and saying, "Yes, that'll be a bureaucratic nightmare, but that one we'll be able to buy off." It just depends on the day, apparently.
A little group of thatched cottages in the middle of the village had an orchard attached; and I remember well the peculiar purity of the blue sky seen through the white clusters of apple blossom in spring. I remember being moonstruck looking at it one morning early on my way to school. It meant something for me; what, I couldn't say. It gave me such an unease at heart, some reaching out towards perfection such as impels men into religion, some sense of the transcendence of things, of the fragility of our hold on life.
Physically it's kind of lassitude, the apathy and tiredness that precedes the flu or some other illness, or death. My legs ache and feel heavy, my skin has become more sensitive to cold and to heat, to the hardness or rigidity of things. Nothing interests me, I feel uncomfortable being still but would feel even more uncomfortable if I moved. I don't know whether speaking is painful or just boring. I sit here, staring straight ahead, with no desires, no needs, hollow. I'm not even sad. I feel only passivity and indifference.
I always seem to find myself fighting the law of equilibrium - the great leveling force that brings things to the mean and takes the 'cartoonishness' out of life. Perhaps I am doing a very unnatural thing... If Einstein were still alive I would ask him about it.
I've always been drawn to discomfort and that limbo of unease you get between comedy and tragedy. Making people laugh one moment and the next making them feel really uncomfortable.
All sensitive people agree that there is a peculiar emotion provoked by works of art.
You don't get music in your daily life, do you? Even in a movie, it's unnatural to have music. I always feel it's unnatural. But I want to make it not unnatural, to construct reality in another sense.
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