A Quote by P. G. Wodehouse

The voice of Love seemed to call to me, but it was a wrong number. — © P. G. Wodehouse
The voice of Love seemed to call to me, but it was a wrong number.
Everyone I talked to was a recording-the bank, the elevator, your office, the school, a wrong number. You used to be able to call a wrong number and get a person.
The Google Voice service is a lifesaver for me. My actual phone number changes a lot, so having a canonical Google Voice number that doesn't change - it's actually my same number from high school - is indispensable.
There are worse things than getting a call for a wrong number at 4 am. It could be a right number.
When I started learning the cello, I fell in love with the instrument because it seemed like a voice - my voice.
The question of who is right and who is wrong has seemed to me always too small to be worth a moment's thought, while the question of what is right and what is wrong has seemed all-important.
There was about a two-year period at the end of the '60s, when I realized I was in the wrong place and entertaining the wrong people with the wrong material and that I was not being true to myself. I went through a metamorphosis into something more authentic for me, a more authentic stage voice and writing voice.
I've been singing for a really long time and I love a lot of genres, but country just seemed like the best fit. The people in that genre are just so nice and welcoming. And that seemed so appealing. Also my voice fit it and seemed like the way to go.
The artist, and particularly the poet, is always an anarchist in the best sense of the word. He must heed only the call that arises within him from three strong voices: the voice of death, with all its foreboding, the voice of love and the voice of art.
There are no words and there is no singing, but the music has a voice. It is an old voice and a deep voice, like the stump of a sweet cigar or a shoe with a hole. It is a voice that has lived and lives, with sorrow and shame, ecstasy and bliss, joy and pain, redemption and damnation. It is a voice with love and without love. I like the voice, and though I can't talk to it, I like the way it talks to me. It says it is all the same, Young Man. Take it and let it be.
I noticed whenever you call information, 411, there's always a computer voice, and they go, 'What number would you like? City and state, please.' 'Yeah, I'd like the number of Macy's in Century City, California.' 'Did you say 'pretzel nuggets'?
I love animals, always have, and it seemed natural to help the ASPCA. Animals have no voice of their own, so we have to be that voice
I love animals, always have, and it seemed natural to help the ASPCA. Animals have no voice of their own, so we have to be that voice.
The number-one show in America on Sundays will be Celebrity Apprentice. Monday nights, The Voice will be number one. Wednesday nights, Survivor will be number one. And Friday nights, Shark Tank will be number one. It just takes some time management for me to focus.
If anybody ever called our number, it would be picked up in less than 2 rings with a friendly voice answering, CD Baby. From 7 am to 10 pm, there was always somebody to pick up a call in 2 rings. No voice mail system; no routing to different departments. We treated our customers like our best friends. You don't route your best friend's call to an automated system!
That would be something I would stress the most to any artist - is, number one, don't ever allow, you know, success or whatever you want to call it to determine your worth as an artist or as a person. That's number one. And number two, do it because you love it.
I remember once going to see him [Ramanujan] when he was lying ill at Putney. I had ridden in taxi-cab No. 1729, and remarked that the number seemed to me rather a dull one, and that I hoped it was not an unfavourable omen. "No," he replied, "it is a very interesting number; it is the smallest number expressible as a sum of two cubes in two different ways."
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