A Quote by P. G. Wodehouse
I was writing a story, 'The Artistic Career of Corky,' about two young men, Bertie Wooster and his friend Corky, getting into a lot of trouble, and neither of them had brains enough to get out of the trouble. I thought: Well, how can I get them out? And I thought: Suppose one of them had an omniscient valet?
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If I had a kid, and I had a choice between teaching somebody how to avoid trouble, or teaching them how to get out of it, I'd teach them how to get out of it.
I made the rules I figured I could be the one to break them. I thought I would write about xenophobia, a hatred of foreigners. After I stated writing the story there was not a foreigner to be had. I did not want to just stick one in there so I could get a title out of it since it seemed like cheating. I never figured out how I could get out of this dilemma so I just called it X and weaved X traits into the story.
I began teaching my son how to shoot when he was two, starting with the basics of a BB rifle. My theory is that kids get into trouble because of curiosity—if you don’t satisfy it, you’re asking for big problems. If you inform them and carefully instruct them on safety when they’re young, you avoid a lot of the trouble. My son has learned to respect weapons. I’ve always told him, if you want to use a gun, come get me. There’s nothing I like better than shooting.
What we do best is we target the young men and women who are on the fringe. They could go either way. Maybe they have been in trouble before, but not serious trouble. ... We cherry-pick them and circumvent them away from the gang members and drug dealers ... (and encourage) them to hang out with us and become a Guardian Angel.
Some men of the line regiment who had appeared on our right started running back. I shouted out to them to halt, but they took no notice. I pulled out my revolver and very nearly shot at them, but I thought it wouldn't do any good, as they all had their backs to me so would have thought that anyone hit was hit by a German bullet. If I ran after them my men might think I was running away. So I took my men on!
My favorite story about O'Connor - one of them - is I was in Toronto at a pro-life conference.I had a session before he was to come on,I thought very moderately - that not have unwanted abortions was to have much more research on contraception. Two true-faith people came out of the audience, wrested the microphone out of my hand and said, `That is im - inappropriate, improper. Pro-lifers do not believe in contraception.' [John] O'Connor's watching this said,`I want to tell you I'm delighted that Nat is not a member of the Catholic Church. We have enough trouble as it is.'
The problem was Mike Tyson always had trouble with bigger men. Even fighters like Bud Green, “Bonecrusher”, he had trouble with them whether he wanted to or not. He would have had great trouble with Lennox Lewis, particularly since he maximized his shortness by crouching, and he couldn't fight inside so the guy would pick him apart like Buster Douglas.
I remember writing 'All I Want Is You' and hoping it would get me out of trouble. I haven't stopped writing songs or getting into trouble since.
Lady Glossip: Mr. Wooster, how would you support a wife? Bertie Wooster: Well, I suppose it depends on who's wife it was, a little gentle pressure beneath the elbow while crossing a busy street usually fits the bill.
A lot of people like to say that they have trouble getting gifts. I have trouble giving them. It's not out of a lack of generosity, mind you. My fallback is to go big, no matter what the occasion.
When it became easy enough to do dairy online, then I just thought, "Oh, I'll start doing this. I'll put the parts online that aren't going to get me in trouble. I'll save the rest for myself." It became also this kind of self-therapy. I could write about stuff that was bothering me, or personal stuff. And the very personal stuff I could edit out. But it was kind of the catharsis of getting it out and writing about it, that made me think, "Okay, I see why people do this, why they keep these diaries." So I thought, "Well, let's see what happens when I post some of it."
A lot of my family weren't present when I was young, so I was getting a lot of stories told to me about them. Certain members of family had reputations because they were involved in crime and stuff like that. Then, when I was out on the streets, I'd be hearing more stories about them. So I think my whole upbringing was just heavily story-oriented.
Their grandchildren had reminded Will of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie.
I never thought about writing. I was married young, I was still in college, as we did then, and I had two babies before I was 25, and I loved them, and I loved taking care of them, but I was a little bit cuckoo, staying at home and not having a creative outlet.
You get in trouble, you have to evaluate: Is it worth getting into trouble again? It's a lot easier to make that decision when you have a career at stake.
Eventually, to get through school, I would make good meaningless blobs if I had to. And so they thought I was falling in with them and stuff like that. But on the playground, kids would come up to me and say, "I need three Supermans and a Captain Midnight by four o'clock because I'm going to sell them to somebody else." So I'd take all their lunch money and whip these things out, and they'd have to stick them in their underwear to get the pictures home, because if the teacher ever found out about that.
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