A Quote by P. G. Wodehouse
I don’t know if you have had the same experience, but the snag I always come up against when I’m telling a story is this dashed difficult problem of where to begin it.
Related Quotes
And before I'd got to the end of the first paragraph, I'd come up slap bang against a fundamental problem that still troubles me today whenever I begin a story, and it's this: where am I telling it from?
When a player gets injured, all negative thoughts come in. Then you bump into people who have had that problem and they start telling you about how difficult it is and that doesn't help.
You will always have partial points of view, and you'll always have the story behind the story that hasn't come out yet. And any form of journalism you're involved with is going to be up against a biased viewpoint and partial knowledge.
The fact that you had disruptions in the peace process was not only in Rwanda. We had the same problem in Cambodia, we had the same problem in Mozambique, we had the same problem in Salvador.
Plotting is difficult for me, and always has been. I do that before I actually start writing, but I always do characters, and the arc of the story, first... You can't do anything without a story arc. Where is it going to begin, where will it end.
I think when people begin to tell their stories, everything changes, because not only are you legitimised in the telling of your story and are you found, literally, like you matter, you exist in the telling of your story, but when you hear your story be told, you suddenly exist in community and with others.
I think when people begin to tell their stories, everything changes, because not only are you legitimized in the telling of your story and are you found, literally, like you matter, you exist in the telling of your story, but when you hear your story be told, you suddenly exist in community and with others.
I have people constantly come up to me telling me that I have written their life. When I wrote the story I thought it was a pretty good story but I had no idea that many people felt like that.
The solution to a problem - a story that you are unable to finish - is the problem. It isn't as if the problem is one thing and the solution something else. The problem, properly understood = the solution. Instead of trying to hide or efface what limits the story, capitalize on that very limitation. State it, rail against it.
A poem is like a person. The more you know someone, the more you realize there is always something more to know and understand. A final understanding could probably only begin upon permanent separation, or death. This is why we come back to certain poems, as we do to places or people, to experience and re-experience, to see ourselves for who we truly are, and to continue to be changed.
I've always thought stand-up comedians were the oral storytellers of our time, because they know rhetoric, they know delivery, they know timing, they know all of these things that you can only learn by telling a story out loud and interacting with an audience.
Almost any problem, whether it's telling a family story, or telling a network-quality story, or answering a network note, becomes essentially instantly solvable, because you have a bunch of brains sitting in a room.
Jessica, I know I've been...difficult," he said. "All the same—" "Difficult?" She looked up, her grey eyes wide, "You have been impossible. I begin to think you are not right in the upper storey. I knew you wanted me. The only thing I've never doubted was that. But getting you into bed— you, the greatest whoremonger in Christendom— gad, it was worse than the time I had to drag Bertie to the tooth-drawer. And if you think I mean to be doing that the rest of our days, you had better think again. The next time, my lord, you will do the seducing— or there won't be any, I vow.
For me, a story always goes out of a mistake. Somebody makes a mistake, and that becomes the story. Probably that explains why my series are kind of dark: because there's a problem to begin with.
When I was younger I could never get up in the morning, I always found it so difficult. If I had an appointment, I had no problem, but just getting up early for the sake of it was so hard, I just loved my bed (and still do!).
Ah" said Dumbledore gently, "Yes I thought we might hit that little snag!" "Snag?" said Fudge, his voice still vibrating with joy. "I see no snag, Dumbledore!" "Well," said Dumbledore apologetically, "I'm afraid I do." "Oh, really?" "Well it's just that you seem to be labouring under the delusion that I am going to -- come quietly. I am afraid I am not going to come quietly at all, Cornelius. I have absolutely no intention of being sent to Azkaban. I could break out, of course -- but what a waste of time, and frankly, I can think of a whole host of things I would rather be doing.
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