A Quote by P. G. Wodehouse

One of the rummy things about Jeeves is that, unless you watch like a hawk, you very seldom see him come into a room. — © P. G. Wodehouse
One of the rummy things about Jeeves is that, unless you watch like a hawk, you very seldom see him come into a room.
Every day is still exciting. I have like a very good system worked out with my editor. Some directors are in there every day, sitting there in the room with the editor. I lose perspective incredibly quickly, and so what I do is I watch...I come in the room and give very specific notes and then I go back to my house or in my office and I watch the dailies.
And then there's all these other creeps that surround your band and suck off you like leeches and try to manipulate you and your business. You have to watch like a hawk. I'm always ready to fight. I see it very much as a battle.
There's no room for him in your head, Elle. I'm there. I'll always be there and if he tries to come in I'll drive him out until you're strong enough to do it yourself. And there was never room for him in your heart because I was already there. He couldn't touch your soul. It belongs to you and no one else unless you decide to share.
Some things are worth the fat and calories, although I have to watch it like a hawk.
You cannot friend a hawk, they said, unless you are a hawk yourself, alone and only a sojourner in the land, without friends or the need of them.
I seldom have my stuff up unless I'm testing it. If I'm worrying about a painting, I put it up and see if I detest it quickly or slowly. Otherwise I have things by other artists.
You very seldom see a picture where you watch the process of falling in love.
When you first hear about this guy (Stan Musial), you say, 'it can't be true.' When you first meet him you say, 'It must be an act.' But as you watch him and watch him and see how he performs and how he comports himself you say, 'He's truly one of a kind.' There will never be another like him.
You watch Bono in a room - and we're talking about a room of thousands swarming around him - he'll take every single person and make that moment about them. You can pat him on the back or pull his arm, he's not looking away from the person he's talking to.
I'm thinking I would like to dance in the rain with this person. I would like to lie next to him in the dark and watch him breathe and watch him sleep and wonder what he's dreaming about and not get an inferiority complex if the dreams aren't about me.
Rummy is one of the easiest of all card games to learn. More people understand the rules of Rummy than of any other card game.
Messi is a genius. He has everything. When I watch him, I see a player who is very, very skilful, very clever and his left foot is like Diego Maradona's.
One of the things I learned very early on was that if you cast the show correctly, and if you've created the right energy in the room, the solution is also in the room. The solution doesn't necessarily come from someone, but if everybody is working in a very steadfast and rigorous way, then everything you're looking for is in the room.
I had the best teacher in the business. Kevin Costner was my teacher. I was acting opposite him and he was directing me. The way he directed me, for which I am eternally grateful, is he would watch the scene back on the monitor, which is sort of considered unfashionable - you're not meant to watch yourself. But he was like, "Come around. Watch this. See there, you're doing a great reaction, but you're doing it out of frame." That was exactly what I needed. I learned how to act on film from him.
Networks like Adult Swim allow artists to be artists and allow their vision to come through without a lot of tinkering. I worked on 'Moral Orel' and 'Mary Shelley's Frankenhole,' and they bothered us very little. They very, very seldom came to us and said 'Change this,' or 'You can't do that,' or 'We'd like to see this.'
I'm actually an impatient person. I'm very suited for television because with the process, it's six weeks from the time you come up with an episode until when it airs. We can't drag it out that long. With film, and this is not a profound observation or an original one; it can go on endlessly unless the movie's like incredibly topical. That's the challenge for me, as an impatient person who wants see things come to life. ... I mean, it's just this feeling I get when I see a movie I love.
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