A Quote by P. G. Wodehouse

Has anybody ever seen a dramatic critic in the daytime? Of course not. They come out after dark, up to no good. — © P. G. Wodehouse
Has anybody ever seen a dramatic critic in the daytime? Of course not. They come out after dark, up to no good.
My favorite dark comedy, which is also one of my favorite films of all time, is 'After Hours.' I've seen 'After Hours' as much as almost any film I've ever seen in my life; I've watched it dozens of times, and I still watch it once a year. I still get a thrill out of it every time I see it.
I think Magnolia is one of the best films I've ever seen and I can say that straight and out and anybody that disagrees with me I'll fight you to the death. I just think it is one of the greatest films I've ever been in and ever seen.
I don't remember ever being see-saw, when I'd made my mind up that a thing was wrong. It takes the taste out o' my mouth for things, when I know I should have a heavy conscience after 'em. I've seen pretty clear, ever since I could cast up a sum, as you can never do what's wrong without breeding sin and trouble more than you can ever see. It's like a bit o' bad workmanship--you never see th' end o' the mischief it'll do. And it's a poor look-out to come into the world to make your fellow creatures worse off instead o' better.
I mean, creatures who only exist in the dark don't know they're missing the sun, right? But once you've seen the sun. Once you've seen it light up the world ... once you've felt its heat all around you ... inside you ..." He clutched his own chest, and my heart cracked open. "Its hard to live in the dark after the sun dies.
I just started trying to figure out how to write [something] which was unlike anything anybody had ever seen, and once I felt like I had figured that out I tried to figure out what kind of book I could write that would be unlike anything anybody had ever seen. When I started writing A Million Little Pieces I felt like it was the right story with the style I had been looking for, and I just kept going.
Hoyt was by himself right under one of the portable lights rigged up for the occasion. He had his hands thrust in his pockets, and he looked more serious than I’d ever seen him. There was something strange about the sight, and after a second I figured out why. It was one of the few times I’d ever seen Hoyt alone.
All fathers are invisible in daytime; daytime is ruled by mothers and fathers come out at night. Darkness brings home fathers, with their real, unspeakable power. There is more to fathers than meets the eye.
You find very few critics who approach their job with a combination of information and enthusiasm and humility that makes for a good critic. But there is nothing wrong with critics as long as people don't pay any attention to them. I mean, nobody wants to put them out of a job and a good critic is not necessarily a dead critic. It's just that people take what a critic says as a fact rather than an opinion, and you have to know whether the opinion of the critic is informed or uninformed, intelligent of stupid -- but most people don't take the trouble.
As far as the hate, it makes me laugh. Everybody is a critic. Every critic I've ever had, they weren't wrestlers. Every wrestler I've ever had critique me, they were always into my stuff or what I'm doing out there. For a non-wrestler, someone who doesn't even know how to lock up, and if we did lock up, they wouldn't know what to do, for them to critique any of us, it really does pop me.
At best, the relationship between drama critic and playwright is a pretty twiggy affair. When I'm asked whom I write for, after the obligatory, I write only for myself, I realize that I have an imaginary circle of peers - writers and respected or savvy theatre folk, some dramatic writers and some not, some living, some long gone. . . . Often a writer is aware as he works that a certain critic is going to hate this one. . . . You don't let what a critic might say worry you or alter your work; it might even add a spark to the gleeful process of creation.
You can never underestimate the prince, I'm always there. The prince will never die. I ain't bragging, but I ain't seen nobody, and I mean nobody, come to the ring in such style, with such flair, charisma, I'm talking about bringing it all, a full package. I mean who would you know that could come out in a flying carpet. Come out like a concert, dancing, with like, oozing confidence, and then get in and take somebody out. Come on, do you know anybody in the history of the sport, that did what Prince Naseem did. And I ain't trying to brag, but I was bloody good at it.
I've basically seen opportunities as they come up and they've turned out to be really good ones.
When you grow up in an extended family, or in a stable neighborhood with two or three generations of families who live there, you feel seen. Not just the good things you've done, the stuff you put on your resume. You know they've seen you in your dark times, when you've messed up - but they're still there.
Bro, it's dark. You can't go to a strange building with a mysterious address in the dark. Haven't you ever seen a horror movie?
I have seen war. I have seen war on land and sea. I have seen blood running from the wounded. I have seen men coughing out their gassed lungs. I have seen the dead in the mud. I have seen cities destroyed. I have seen 200 limping, exhausted men come out of line—the survivors of a regiment of 1,000 that went forward 48 hours before. I have seen children starving. I have seen the agony of mothers and wives. I hate war.
Of course, I'm always my biggest critic. So I'll never be completely satisfied with my performance, win or lose, even if I come out with a knockout or submission; I'm still going to wish that I did some things differently.
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