A Quote by P. G. Wodehouse
I know I was writing stories when I was five. I don't know what I did before that. Just loafed I suppose.
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Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them. I suppose it’s an early form of participation in what goes on. Listening children know stories are there. When their elders sit and begin, children are just waiting and hoping for one to come out, like a mouse from its hole.
I find it very difficult to do anything on my own now because people recognize me. This has never happened to me before because I haven't really done television before. But I suppose if you're in people's rooms all the time, I don't know - I was thinking the other night with people like DiCaprio and, you know, those big stars and Cate Blanchett, and you just think how did they exist? It's so difficult. And I think now it's very intrusive because of these cellphones, you know, with cameras.
It is better to have loafed and lost, than never to have loafed at all.
I hadn't meant to do the pattern of publishing short stories and then a novel. I thought, 'I'm a novelist. I know it.' But you have to kind of write a lot of bad novels before you can write a good one, I think, so I did that. But meanwhile, I loved the short stories I did.
Those who know God know that it is quite a mistake to suppose that there are only five senses.
I know I'm writing better now than I ever did for adults because I'm writing for an audience who know that they don't know everything.
I think you find stories with fresh perspectives, and there can be a danger in the opposite way when you start getting too cynical and things just don't start seeming like stories, and things don't seem exciting anymore. It's like, 'Yep, this is my fourth caucus, and I know everybody and know everything and I am writing just to impress my friends.'
I myself, as I'm writing, don't know who did it. The readers and I are on the same ground. When I start to write a story, I don't know the conclusion at all and I don't know what's going to happen next. If there is a murder case as the first thing, I don't know who the killer is. I write the book because I would like to find out. If I know who the killer is, there's no purpose to writing the story.
I think it's dangerous to think you know what you're writing. I usually don't know, and usually I just discover it in the course of writing. I envy those writers who can outline a beginning, a middle, and end. Fitzgerald supposedly did it. John Irving does. Bret Easton Ellis does. But for me, the writing itself is the process of discovery. I can't see all that far ahead.
I don’t even know what I’m writing, I have no idea, I don’t know anything, and I’m not reading over it, and I’m not correcting my style, and I’m writing just for the sake of writing, just for the sake of writing more to you… My precious, my darling, my dearest!
I don't believe in Gods and devils. I think it's man-made stories to try and help people understand where all this came from. They said 'Where did the world come from if there's no God', 'Where did life come from'. Just say 'I don't know'. Don't say some guy made a man and a woman. You have no business doing that, you know what I mean? And then He got mad and flooded the whole world; told Noah to build an arc. These are terrible stories.
It is immature and lazy to imagine we know everything there is to know about someone before we know that someone. We don't know their stories, their histories, their real live human feelings. We don't know their favorite movies and best memories and what makes them afraid. It is unfair to take one fact, one thing they've said or we heard they said, or one thing they wrote, or someone else's experience, or a group they identify with and make a character sketch. If people did that to us, the picture would be so woefully incomplete, we wouldn't even recognize our own description.
I was also a good writer, by the way. My, you know, my English teacher and writing teacher loved my writing. You know, I wrote short stories and things like that. And they liked them very much.
I started a writing class, not in service of writing a script or writing anything specific. I've just really been enjoying that, and oddly the group, not by design, but it just happened to be all women, and there were three women who gave birth this fall while we were all in class, and there's just something really great about getting to know these women through their stories and what they're writing about.
Then I said something. I said, Suppose, just suppose, nothing had ever happened. Suppose this was for the first time. Just suppose. It doesn't hurt to suppose. Say none of the other had ever happened. You know what I mean? Then what? I said.
we all begin the process before we are ready, before we are strong enough, before we know enough; we begin a dialogue with thoughts and feelings that both tickle and thunder within us. We respond before we know how to speak the language, before we know all the answers, and before we know exactly to whom we are speaking.
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