A Quote by P. J. Harvey

In order to make my solo shows as interesting as possible, I moved songs onto very different instruments so that I was moving instruments quite a lot during the set.
Initially, when I was making the bagpipes and reed instruments, it was different from the other instruments. In terms of sound itself, it may not be different, but in performing with it, it was a necessity to build it if I was going to perform and make scores with it. By making the instruments, it helped me compose the way I want.
In my solo work on my own albums, I have used voice synthesizers and vocoders quite a lot in connection with orchestral instruments.
The thing is, there are so many different ways to make music these days with virtual instruments, software applications, physical instruments, and computer programs.
At that time, 73 and 74, I became aware that there were a number of us making instruments. Max Eastley was a good friend and he was making instruments, Paul Burwell and I were making instruments, Evan Parker was making instruments, and we knew Hugh Davies, who was a real pioneer of these amplified instruments.
I like big shows, a lot of volume and a lot of energy. I love electric instruments. But I do love mixing those with bluegrass instruments and cranking those up, too, with a little bit of that rock energy.
We find it very interesting to call upon different voices as though they were different instruments.
We had a bunch of instruments around the house. Like, I played different instruments, trumpet, bass, drums, piano, all that, but whatever I could get my hands on.
Percussion is physical, as most instruments are. The body must function well in order to play the instruments well. Last year I climbed Mount Kilimanjaro.
In my mind these two instruments speak to me in different ways, and the solo stuff seems to be easier to do on the soprano.
When I was a kid, during those days, you couldn't use instruments. It was against the pastor's religion, so all the singers would make these instruments with their voices. It was just unbelievable. I couldn't explain it.
At some shows, the set list gets changed while we are on stage. I know Ed thinks about the set very hard throughout the day in order to make the best show possible for the fans and for us.
Instruments sound interesting, not because of their sound, but because of the relationship a player has with them. Instrumentalists build a rapport with their instruments, which is what you like and respond to.
Beck is obviously a consummate musician. He plays instruments, many instruments. He can make his own record without having a fleet of computer operators onboard.
In history, in most cultures, and at most points in time, if you want to find the most advanced technologies, you can look principally in two places. One is weapons and the other is musical instruments. My hypothesis is that instruments are usually ahead of weapons. In fact, I think you can find many examples of instruments being predecessors of weapons and very few in the reverse.
Rafferty [Law] plays three or four instruments. He is very gifted. Whereas I pick instruments up and kind of stare at them and go, "I can't ever possibly play this." And I don't!
It's after dark that I feel most inspired, I'm a nocturnal creature. I'll write poetry or streams of consciousness, play instruments, or teach myself to DJ by doing a silent solo set.
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