A Quote by P. J. O'Rourke
One of these suburbs is actually named Stalingrad, which goes to show that the French have learned nothing about politics since they guillotined all the smart people in 1793.
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When you live in America, it's kind of insular - the news coverage that you get - unless you're really smart about it and find more international news coverage. I've learned that from my husband. In the French culture, they talk politics.
I grew up in the Seattle suburbs - the suburbs of suburbs. Where I'm from, it's super quiet, just woods and nothing.
I love a smart, well-written show, and '30 Rock,' well, you can't get any better than that. Tina Fey poos funny. There's nothing that she does that isn't funny. That show is an example of how brilliant she is. It's so smart. They've done some brilliant commentary about the 'Housewives' with 'Queen of Jordan,' their show-within-the-show.
I think, about the distinction between fiction and nonfiction. Fiction is not really about anything: it is what it is. But nonfiction - and you see this particularly with something like the BBC Samuel Johnson Prize for Non-Fiction - nonfiction we define in relation to what it's about. So, Stalingrad by Antony Beevor. It's "about" Stalingrad. Or, here's a book by Claire Tomalin: it's "about" Charles Dickens.
There are a lot of things going on in politics at the moment which means that people can't concentrate on politicians' personalities and the characters of those who are actually running this country. This can overcome what politics is about.
A guy named Adolf Hitler won an election in 1932 ... and 50 million people died as a result ... what I learned as a little kid is that politics is, in fact, very important.
The new freedom of expression brought by the Internet goes far beyond politics. People relate to each other in new ways, posing questions about how we should respond to people when all that we know about them is what we have learned through a medium that permits all kinds of anonymity and deception.
On telly, if it's not the right kind of show, I revert back to my 'Girlie Show' persona, become this daft, bawdy caricature of myself and I'm not actually like that, I'm actually quite - not clever, but smart with my words.
The suburbs are incredibly oppressive. I actually believe that the suburbs are much more dangerous than the ghettos.
When I am with French people, I am not aloof because I belong to them. My view is that the French president belongs to the French people, because he emanates from them. What I do is this: I am putting an end to the cronyism between politics and the media. For a president, constantly speaking to journalists, constantly being surrounded by journalists, has nothing to do with closeness to the people. A president should keep the media at arm's length.
Sex Ed - when I finally got to take it - was all about biology and birth control and nothing about anything that actually goes on between people.
Nothing is as depressing as absolute logic. Look at the maze of French politics perpetrated by a logical people.
It's interesting, because I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her. All the survival stuff, too. And then the next album is 'Maya,' which is not my real name. It's fake.
People send me e-mails saying, "You're a movie critic. You don't know anything about politics." Well, you know what, I'm 60 years old, and I've been interested in politics since I was on my daddy's knee. During the 1948 election, we were praying for Truman. I know a lot about politics.
I actually don't think there is any difference between French and American cuisine. French cuisine was always about discipline, about ingredient, about creativity, but also about simple. I see America as very similar in these rights.
I worry more about the marketing that's taken hold since the 70s. The Jazz era, the Swing era, those were huge. Entire decades were named for music. In the 1940s - after World War II - changes in taxation, ballrooms closing, people moving to the suburbs, and the onset of target marketing and the confusion of commerce with art caused some things to happen as a result that have taken us away from jazz and what jazz offers us.
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