A Quote by P. J. O'Rourke

The Vietnamese Hoa were merchants and manufacturers. They were very successful and thus, according to the logic of Marxism, responsible for society's failures. The Hoa suffered the same fate as the pizza parlour in Spike Lee's Do The Right Thing except at the hands of the world's fourth largest army instead of a small, petulant movie director.
A Bug's Life' is a really funny movie and the characters have such different personalities. The movie is happy and then gets really sad and I'm like, W'hoa, I'm feeling this way and this movie is about bugs!
'A Bug's Life' is a really funny movie and the characters have such different personalities. The movie is happy and then gets really sad and I'm like, W'hoa, I'm feeling this way and this movie is about bugs!'
Everybody knows when you've got a role in a Spike Lee movie, you're gonna blow up. But I happen to be the only person who's had the lead in the two Spike Lee movies nobody saw.
At the same time, the Reagan Administration assured that the main elements of policymaking were in the hands of competent loyalists, thus assuring a successful launch and a highly successful first year.
The classics of Marxism talked of communism as a society to which a modern society should aspire, a society truly fair, where the relations of monetary exchange were not the priority but one wher the people's needs could be satisfied, and where people would not be worth more according to how much monetary wealth they acquired. Instead their value would be based on their contribution to society as a whole. It would be a society without class that would accept people based on their capabilities and their potential to contribute to that society.
Sometimes I've done small parts, like with Spike Lee, but it doesn't matter because you want to work with the director.
Can we move this conversation along, I'm getting frightfully tired of 'hoa'.
I'm a huge Spike Lee fan. I saw 'Do The Right Thing' twice in the same night when it first came out and had long conversations with all my friends about the issues in it.
While I was filming 'Kong' - and I don't play a very capable Army Ranger in 'Kong'; I play a completely different character - but we had a lot of Army Rangers there, former Army Rangers, and Navy SEALs, who were working on the movie with us for the other characters, for the Army guys in the movie.
I came to New York, and it was a really cool time. People like Jim Jarmusch and Spike Lee were making their first movies, and they were making movies that were personal narratives.
I did this movie with Spike Lee called 'Sucker Free City,' and that would have to be my favorite role by far. It was just so much fun to work with Spike and shoot in San Francisco.
I did this movie with Spike Lee called Sucker Free City, and that would have to be my favorite role by far. It was just so much fun to work with Spike and shoot in San Francisco.
I don't know if it's really important, or intelligent even, when people say to me I'm a white Spike Lee, because they said to Spike Lee you're a black Woody Allen.
Our friendship was like our writing in some ways. It was the only thing that was interesting about our otherwise dull lives. We were better off when we were together. Together we were a small society of ambition and high ideals. We were tender and patient and kind. We were not like the world at all.
My heroes were people like Jim Jarmusch. Scorsese was my god. Spike Lee was exciting, doing exactly what we thought we were going to do: personal movies based in, and about, New York. My heroes were all participating in an economic model that was collapsing as I was finishing film school.
In comic books, every character exists in this comic book world, and the wrestlers were the same thing. They were responsible for creating that world and putting it out there - having the confidence to go forward and do that and behave in a certain way.
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