A Quote by P. J. O'Rourke

Lampoon was exactly the opposite. The work was a lot of fun, but the office environment was hell. You cannot put 20 humorists together. — © P. J. O'Rourke
Lampoon was exactly the opposite. The work was a lot of fun, but the office environment was hell. You cannot put 20 humorists together.
I was never in the office [of Rolling Stone]. It was very different from Lampoon, where we spent a lot of time together socially, which is to say "drunk."
I put on about 20 pounds to play Washington, and that was really enjoyable. That's probably the most fun I've had preparing for a role. There were only two weeks between 'Sons of Liberty' wrapping and 'Complications' starting, so I had, basically, two weeks to drop 20 pounds, and that was the opposite of fun.
The Lampoon was definitely quite formative. You know there's a crazy like kind of network of comedy writers from The Lampoon that are, that kind of you know like Seinfeld and The Simpsons and a lot of shows kind of had a lot of kind of Lampoon writers and so that was very formative. I mean, to me I got interested in comedy writing at an early like reading like Dave Barry.
I know what it's like and how hard my assistants work, and I try to treat them as fair as possible and make the office a fun environment.
It takes a lot of things to work together in order to be wealthy but with a little luck, a lot of luck... You've got to be good at something. For a 20-year-old, you don't have to know exactly what you want to do, you've just got to go find something you can be great at, and then go be great at it.
It takes a lot of work to put together a marriage, to put together a family and a home.
I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
You go into Afghanistan, you got guys who slap women around for five years because they didn't wear a veil. You know, guys like that ain't got no manhood left anyway. So it's a hell of a lot of fun to shoot them. Actually, it’s a lot of fun to fight. You know, it’s a hell of a hoot. It’s fun to shoot some people. I’ll be right up front with you — I like brawling.
'Drama' was put together quickly; there were a lot of intense, 16-hour days. Despite the pressure, it was a lot of fun, and the end result was an album I'm very proud of.
I can understand why those bands do it. It can be a hell of a lot of bloody fun. People are allowed to have a bit of fun after the age of 40, and a lot of them do need the money.
For me a chameleon is something that disguises itself to look as much like its environment as possible. I always thought I did exactly the opposite of that.
What you and I need to do is learn to forget our differences. When we come together, we don't come together as Baptists or Methodists. You don't catch hell 'cause you're a Baptist, and you don't catch hell 'cause you're a Methodist... You don't catch hell because you're a Democrat or a Republican. You don't catch hell because you're a Mason or an Elk. And you sure don't catch hell 'cause you're an American; 'cause if you was an American, you wouldn't catch no hell. You catch hell 'cause you're a Black man. You catch hell, all of us catch hell, for the same reason.
I originally welcomed the mobile phone as it seemed to me that it would enable you to work from anywhere. On the mobile, who was to know if you were sitting on the branch of a tree or sitting in an office? But it instead had the opposite effect: instead of freeing us from the office, it allowed the office to take away our freedom.
I originally welcomed the mobile phone, as it seemed to me that it would enable you to work from anywhere. On the mobile, who was to know if you were sitting on the branch of a tree or sitting in an office? But it instead had the opposite effect: instead of freeing us from the office, it allowed the office to take away our freedom.
Anybody can put things together that belong together. to put things together that don't go together, and make it work, that takes genius like Mozart's. Yet he is presented in the play Amadeus as a kind of silly boy whom the gods loved.
There is a choice before us as people who live in a great world, so knit together that even America cannot stand quite outside it, or act as though it were situated somewhere on the moon! That choice is a choice - let me put it quite brutally - between heaven and hell. ... But it is not a choice between a heaven or a hell beyond the grave; it is a choice between making heaven or making hell on this side of the grave, and in this world, here and now.
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