A Quote by P. J. O'Rourke
I'm 61 years old. I'm not that fearful of the future, period. I'm not going to see that much of it.
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When we think we have been hurt by someone in the past, we build up defenses to protect ourselves from being hurt in the future. So the fearful past causes a fearful future and the past and future become one. We cannot love when we feel fear.... When we release the fearful past and forgive everyone, we will experience total love and oneness with all.
My mother died in 2005. She was 61 years old.
You see, I'm also a futurist. I dream about the world 50, 100, maybe even 1,000 years in the future. But I also realize I'm probably not going to see it. However, I wouldn't mind having at least a copy of myself see the future, maybe 50, 100, 1,000 years into the future. It would be a fantastic ride.
When we think we have been hurt by someone in the past, we build up defenses to protect ourselves from being hurt in the future. So the fearful past causes a fearful future and the past and future become one.
I was excited to explore and see the world. I'd been traveling since I was 6 months old, so I was never fearful of getting on a plane and going somewhere - even America.
I really feel fortunate to have been around then because there have been good and bad years in rock but the best years were '55 to early '61. I got to see Buddy Holly and everybody else.
[Jean-Paul] Sartre was a throwback to the existential period. I'm not really so much into that these days. I went through a period of going over things and looking at them again to see what they were. But I'm into psychiatry type things. I'm into philosophy. I'm into that sort of thing.
I used to tell myself when I was much younger that I didn't want to wake up one day and be 32 years old and still playing records. It's just not going to happen. Well, the joke is on me, because I'm 56 years old now.
This mortal probation is a brief period-just a short span, linking the eternity of the past with the eternity of the future. Yet it was to be a period of tremendous importance. It is, in fact, the most vital period of our entire eternal existence. In this mortal state we come face to face with innumerable temptations and pressures. Sometimes we come in contact with advocates of wrongdoing, disobedience, and sin. Lucifer is going about tempting those who can be tempted to see if he can lead them astray.
Going through the grief period of my dad and losing him - that was the worst thing because you know when you get that call. When you are seven, eight years old, you have that almost vision in your mind of what that's going to be like and what your going to feel like and it doesn't prepare you.
The smaller films just take a longer period of time to build their fan base because people don't see them as soon as they come out in the theater. They see them, after a period of years.
Whether it's 18 years old or 40 years old, we think we know what's going on. But if you're lucky enough to continue the journey, its amazing how we keep learning how much we didn't know.
For Russians in the '90s, there was that sense of not knowing what the future held at all. And coming off a long period of when people actually were robbed of the ability to plan their future - that's very much a part of totalitarian control - that exacerbated it. In this country, we are not coming off a long period like that. But I think that for a lot of Americans, as a result of globalization, as a result of the housing crisis, the future is just too uncertain. And their place in the world is too uncertain.
To see someone 70 years old with dyed black hair, you're like, 'Hmmm, I dunno. Is that a wrinkled teenager? What is that?' So at some point, I'm going to have to stop doing this. It's gonna look ridiculous. I don't wanna look like Elvis Presley at 60 years old.
The reason you see so many volcanoes on Venus is partly due to the fact that there's virtually no erosion there. So on Venus, you're seeing features, some of which are hundreds of millions of years old on the surface. On Earth, we do not see any surface features nearly that old - you only see much more recent features.
I love a chance to shoot real locations, because in films in the earlier days before people traveled as much, it was exotic to see a film set in Switzerland, and that area has been taken over by CGI, mostly, and fantasy landscapes. It's unusual to see this much landscape, people say it's old fashioned. So what you're referring to is there was that period in the '50s and '60s when there were epics and you saw landscape.
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