A Quote by P. J. O'Rourke

My wife and I both come from Irish families. There are two kinds of Irish families: the hitting kind and the kidding kind. If you're fortunate - and both of us are - you come from the kidding kind of Irish family.
All my family look Irish. They act Irish. My sister even has red hair... it's crazy. I'm the one that doesn't seem Irish. None of the kids in my family, my siblings, speak with an Irish accent... we've never lived there full-time; we weren't born there. We just go there once or twice a year. It's weird. Our parents sound Irish, but we don't.
The English and Americans dislike only some Irish--the same Irish that the Irish themselves detest, Irish writers--the ones that think.
My mom's family was 100 percent Irish, in the American way of being Irish, and then my dad was half Irish.
Throughout my childhood, I did a form of Irish dancing that was kind of the precursor to 'Riverdance.' It was a mixture of ballet and Irish dancing that my teacher, Patricia Mulholland, had invented, essentially. It was Irish ballet, and she would create performances based around the myths and legends of Ireland.
For those of us who are fortunate to share an Irish ancestry, we take great pride in the contributions that Irish-Americans.
Being the U.S. champion is a big deal for me. Knowing that my ancestors built this country, it's kind of like, the Irish were treated badly in this country for a long time, with a lot of tacky Irish stereotypes, so to me, it's kind of like a bragging right.
Inherently in us as Irish people, wherever you are in the world, when you hear an Irish accent, it's like a moth to a flame. There's a real personable pride and camaraderie about being Irish.
We have a tradition of passing our history orally and singing a lot of it and writing songs about it and there's kind of a calling in Irish voices when they're singing in their Irish accent.
Irish folk is probably the biggest influence musically that I've ever had. My mother's Irish. And when I was very young, both my brothers were very into traditional music, English and Irish. They were always playing music, so I was always brought up with it.
Irish tory employers hid[e] their sweatshops behind orange flags, and Irish home rule landlords us[e] the green sunburst of Erin to cloak their rack-renting in the festering slums of our Irish towns.
My parents are Irish, my grandparents are Irish, my great-grandparents are Irish. I was born in England; my blood is Irish.
It is sufficient to say, what everybody knows to be true, that the Irish population is Catholic, and that the Protestants, whether of the Episcopalian or Presbyterian Church, or of both united, are a small minority of the Irish people.
I'm most comfortable with the Southern dialects, really. It's easy, for example, for me to do Irish because we've got Irish heritage where I come from.
I'm Irish and very proud of being Irish, but as an actor, your extraction should be secondary, really. You should be able to embody whatever character it is, wherever the character comes from. That's always been important, for me. I'm an actor who's Irish, not an Irish actor.
I grew up in a world that was clannish - old Tasmanian-Irish families with big extended families.
No one would ever cast me as an aristocrat. I think the big thing about being an Irish artist is access to melancholy. Especially the American Irish. The availability of loss, some kind of pain, is an important part of who we are. I think my Irishness gave me that.
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