A Quote by P. J. O'Rourke
We've come into the world of '1984,' but it turns out to be '1984'-Lite.
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Dad was a retired hedge fund manager who made enough millions to retire and focus on my game. Before that, he was on the 1984 U.S. Olympic swimming team. No medals. He was accustomed to winning at everything, but no medals in 1984.
Who are these evil ones? In 1984, the evil one was called Goldstein. Orwell was writing a grim parody. But these people running the United States mean what they say. If I were a teacher, I would recommend that all my students very hurriedly read most of Orwell's books, especially 1984 and Animal Farm, because then they'd begin to understand the world we live in.
The perfect opening is the word imagine, because imagine allows you to communicate in the eyes and the vision of the listener rather than yours. And the best illustration of that is "1984." Room 101 in "1984" - everyone's read it, and we all have our own imagination of what that looks like.
'1984,' one of the most important works ever written, helped us understand the Cold War. In '1984,' the dictatorship was always surveilling you. Now, young people want to be surveyed. They want people to know where they are at all times.
If Big Brother (of Orwell's 1984) comes to America, he will not be a fearsome, foreboding figure with a heart-chilling, omnipresent glare as in 1984. He will come with a smile on his face, a quip on his lips, a wave to the crowd, and a press that (a) dutifully reports the suppressive measures he is taking to save the nation from internal chaos and foreign threat; and (b) gingerly questions whether he will be able to succeed.
George Orwells 1984 frequently tops surveys of our greatest books: its not a celebration of poetic language. Its decidedly anti-literary, a masterpiece of personal and political narrative sequence. And its subject matter is crucial, because what 1984 shows is that language can be a dirty trick.
George Orwell's '1984' frequently tops surveys of our greatest books: it's not a celebration of poetic language. It's decidedly anti-literary, a masterpiece of personal and political narrative sequence. And its subject matter is crucial, because what '1984' shows is that language can be a dirty trick.
I used to wonder: Is Huxley right or is Orwell right? It turns out they're both right. First you get the new world state and endless diversions as you are disempowered. And then, as we are watching, credit dries up, and the cheap manufactured goods of the consumer society are no longer cheap. Then you get the iron fist of Oceania, of Orwell's 1984.
I wrote 'Time of the Dark' in 1978 and 'The Silent Tower' in 1984, so the thing that sticks out for me is how totally technology has changed. I suppose that's the great peril for real-world crossovers.
Twitter's designed to reduce the language, directly out of 1984! It's Ingsoc!
Serie A was the best league in the world when Roma offered me the job of manager in 1984.
I was reading through all these NSA programs that Snowden has revealed, and one of the ones that fascinated me was that smart TVs can be used to look at you in your room. That is totally like the telescreen from 1984. It's not sort of like it, it's not a lot like it, it is it. And the ability of the NSA to turn on your cell phone, even if it's powered down, and listen to you in your home - that's insane to me. People had been warning that 1984 was just around the corner. Well, it has arrived, and Snowden has proven that.
I majored in English in college, so I read the classic dystopian novels like '1984' and 'Brave New World.'
If you Google a list and just see all the movies that came out in 1984, they're classics, and they define that decade.
"Red Dawn" was a movie made in 1984 I think about World War III. If you have not seen it and plan on watching it, you want to close your eye and cover your ears but not really. You can figure it out.
I didn't like the way Andrew Peacock was not supported in 1984. He'd done well in that election; he deserved to continue. But by the end of '85, he was out.
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