A Quote by P. J. O'Rourke

Charles McCarry is the best modern writer on the subject of intrigue - by the breadth of Alan Furst, by the fathom of Eric Ambler, by any measure. — © P. J. O'Rourke
Charles McCarry is the best modern writer on the subject of intrigue - by the breadth of Alan Furst, by the fathom of Eric Ambler, by any measure.
I am a huge fan of Alan Furst. Furst is the best in the business--the most talented espionage novelist of our generation.
I grew up reading genre writers, and to the degree that Eric Ambler and Graham Greene are genre writers, I'm a genre writer.
I would have loved to have another 10 Eric Ambler books.
One of my favorite authors to read is Eric Ambler, who helped pioneer the form of realistic suspense novels.
In crime fiction, I cut my teeth on early Robert Parker, Elmore Leonard, John D. MacDonald, and Alan Furst. I always loved the writing of Hemingway and Faulkner. Cormac McCarthy's 'Border Trilogy' has been a huge influence; I think I read those novels four times.
Eric Roberts, for all the criticism he gets, is at least having fun with the script. His decision to devour large swaths of scenery locate him firmly in the tradition of Graham Crowden and Joseph Furst. Which is to say that he's not destined for fan acclaim, but he's easy to like if you're of the mind to.
The writers I care about most and never grow tired of are: Shakespeare, Swift, Fielding, Dickens, Charles Reade, Flaubert and, among modern writers, James Joyce, T. S. Eliot and D. H. Lawrence. But I believe the modern writer who has influenced me most is Somerset Maugham, whom I admire immensely for his power of telling a story straightforwardly and without frills.
In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist's obsession with his subject; the form is always in proportion to the obsession.
I particularly like Alan Moore and Neil Gaiman. Both writers have wit and imagination and the breadth of stories they tell coupled with extraordinary artwork make for fascinating reading.
I'm glad you're still upright, Charles, and the only reason you are is because she didn't have any silver. She'd have staked you right and proper otherwise. She has a tendency to shrivel someone first and then introduce herself afterwards." "That's uncalled for!" I said, insulted at the suggestion that I was homicidal. "Right." Bones let that go. "Kitten, this is my best mate, Charles, but you can call him Spade. Charles, this is Cat, the woman I've been telling you about. You can see for yourself that everything I've said is... an understatement.
Any writer who has difficulty in writing is probably not onto his true subject, but wasting time with false, petty goals; as soon as you connect with your true subject you will write.
Man cannot measure the bounds nor fathom the depths of divine forgiveness.
Some of our best and unexpected discoveries have been born out of crises - from the Second World War, for example, came Alan Turing's decoding machine, widely considered as the precursor to modern day computers and artificial intelligence.
Many photographers feel their client is the subject. My client is a woman in Kansas who reads Vogue. I'm trying to intrigue, stimulate, feed her. My responsibility is to the reader. The severe portrait that is not the greatest joy in the world to the subject may be enormously interesting to the reader.
So I told Robert from the start that if we couldn't get Charles and Max to take part, but especially Charles, that I didn't want to make the film. So would he call his mother and talk to Charles and see if Charles would at all be interested.
Criticism ultimately at some degree is about the writer and not the subject. It's very easy if everybody else says, "He's a genius," to echo that, but then you're not functioning as a critic or as a writer in any meaningful way. You've got to take the risk of being wrong.
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