A Quote by P. J. O'Rourke

We all know the types who listen to Pete Seeger songs; even Pete admits they aren't interesting. — © P. J. O'Rourke
We all know the types who listen to Pete Seeger songs; even Pete admits they aren't interesting.
Major League Baseball has created a Pete Rose purgatory, and that's where he is. And that's where he's always going to be. It's unfortunate that the commissioner's office has decided to allow that to be the reality. I don't think Pete would mind if they said 'No' to Pete. Pete wants them to go one way or the other and get him out of the void he's in.
Be serious. Folk songs are serious. That's what Pete Seeger told me. 'Arlo, I only wanna tell you one thing. Folk songs are serious.' And I said, 'Right.'
I've always loved the songs of the sea. I was first introduced to them back in 1957, at the Old Town School of Folk Music. I used to go to Pete Seeger concerts, and he would do songs like 'Ruben Ranzo' and talk about how the sailors sang songs to do their work - to raise the anchors, pull up the sails and that sort of thing.
I think art can really serve to inspire a movement - and, of course, it has in the past. The Civil Rights movement wouldn't have the same resonance without the songs from everyone from Pete Seeger to Odetta to James Brown.
My musical heroes are people like Pete Seeger and Woody Guthrie who wrote and sang real songs for real people; for everyone, old, young, and in between.
I actually learned the guitar with the help of a Pete Seeger instructional record when I was 13 or 14.
My finger picking is sort of a cross between Pete Seeger, Earl Scruggs, and total incompetence.
Back then I was still listening to rhythm and blues, and my aunt took me to see a Pete Seeger concert. And it gelled. He made all the sense in the world to me. I got addicted to his albums, and then Belafonte and Odetta - they were the people who seemed to fuse things that were important to me into music. I think Pete the most because he did what he did to the point where he took those enormous risks and then paid for them.
I think I was 24 when I went to USC with Pete Carroll. Pete believed in people and never worried about their age. I learned that from him.
I enjoy writing songs that could have been written before [my time]. When I feel like I'm tapping into a deep vein in the body of American music, it gives me strength as a writer, like I'm dipping my pen into a deep ink well. That's the folk music tradition. Like Pete Seeger said, 'Everyone's a link in the chain.' It's a strong chain, so rely on it. ... I believe it takes all those great songs in the past to make your song even a little bit good.
People who get together, regardless of other structures, will find something in common. They are bound to. That was the Pete Seeger let's-all-sing theory.
I did admire the comments and the music of Pete Seeger and Woody Guthrie. And that didn't fly too well in the Deep South. It was not quite redneck enough.
Look em in the eye. Make a gesture of inclusion, which he did all the time. And above all, have a chorus. So I learned from Pete Seeger to have something for them to sing.
I can't believe you know someone named Freaky Pete," said Simon. "I know alot of people," said Luke. "Not that Freaky Pete is strictly people, but I'm hardly one to talk.
I was raised on Josh White, the Weavers and Pete Seeger. The music was everywhere. You'd go to a party at somebody's apartment and there would be fifty people there, singing well into the night.
My brother Peter was always the life of the party, and so the running joke for the first 12 years of my life was he was Pete, and I was 'Re-Pete.'
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