A Quote by P. J. Soles
I did Our Winning Season movie that Joe Roth produced, and Joe Ruben, who did Sleeping With The Enemy. He's a really cool director. That's where I met husband Dennis Quaid. Dennis and I met on location in Georgia, and I always thought that was a really great movie. That movie should be included, because it's a really terrific. It's a trite saying, but it's a real, great coming-of-age piece, and all the actors are wonderful.
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Joe Roth, who ended up becoming president of 20th Century Fox, he was the producer of Our Winning Season. This was one of his first movies. It's just a really great, great little film, a lot of good people in it. I don't know whatever happened to that movie, and why it didn't get the success it deserves.
I really love 'Poltergeist.' I think that's a great, terrific movie. I did really love the first 'Friday the 13th.' I thought that was such a crazy movie.
I don't care about being remembered. I'm not a wonderful writer or anything. This should be reserved for people who really did something great. I think it's a mistake to consider the movie director as if they were great artists.
It was really really neat to make the movie because there were mentally challenged actors in the movie. So that was really really cool to work with them and they were always really happy, and they made everybody really happy on the set too.
I remember in the Carpenter version, you got acquainted with the characters and really knew them. It was a real character piece. Each actor was serviced in the movie, and we tried to do that in this movie as well. I like the fact that there was a European, first-time director. I'd known of him because I'm from Europe. I knew him as a commercial director and thought one of his commercials was great. I thought it was an interesting take on such a big-budget cult classic.
Tom Hanks was really great [the 'Burbs']. The director, Joe Dante, was wonderful. We filmed it here during the summer, every day at Universal. Even the food was good - I mean it was junk but it was really good. The whole thing was like some ideal summer-school experience. It may not have been the best movie ever, but it was certainly the most fun.
I went into Xanadu going, 'I really dislike this movie - let me try to make it something wonderful,' but with 'The Band Wagon,' I really revere this movie. It's really a beautiful movie musical. And, yet, because I'm a writer and look at it that way, I see that there are faults in it.
I like 'The Fault in Our Stars.' I thought those two guys did a really, really good job. The movie obviously did really, really well.
I know a lot of actors picture themselves winning Academy Awards. I really just wanted to do a Christmas movie because it's the kind of movie that I really love to watch. I'm a sucker for the holidays.
I'm not just saying this because I'm in the movie, but I really would recommend 'Secretariat.' It's fun, inspiring, and it's a great movie to take your little kids, brothers, sisters, or nieces and nephews to see that actually has real people in it and not animated characters.
As much as I thought the end of 'Friday Night Lights' was a really great ending, I was one of those people who wanted to make it into a movie. Even though it ultimately didn't work to do that movie, I did work with some of the other writers and by myself writing a script for that.
I got very spoiled. Everybody said you will never ever work on such a good movie, you know. I did, because I went on to work on Captain America, which also has a great director, which is Joe Johnston, one of my heroes who designed the old Star Wars movies.
I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by Kazan and was called Baby Doll.
I did a movie a few years back, 'Medicine for Melancholy.' People will come up to me after a set and say, 'I really love that movie. When are you going to do another one?' Or 'I loved you on 'The Daily Show.' Why did you leave?' It's kind of the same as saying, 'I loved you in high school. You should have never left.'
I did the movie [Valley of Violence] from two perspectives. You're with Ethan [Hawke] the whole movie, but for the first half, you're really with Ethan. For the second half, you're with him, but also you're with the bad guys because he kind of becomes the bad guy. No one's really good in the movie.
I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by [Elia] Kazan and was called Baby Doll.
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