A Quote by P. J. Soles
The Ramones couldn't play in my key. They couldn't switch keys, so Ed Stasium literally had to play all the instruments for my version of "Rock 'N' Roll High School," and I always thought that was so weird, because it's not the Ramones playing. It's the producer, who happened to just be a musician and could play everything.
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I think Japans work really hard, and when they have a chance to listen to music, they just go crazy. And the Ramones would be a natural fit for Japan, because Japan invented the cartoon, and the Ramones, especially in Rock 'N' Roll High School, are very cartoonish. So it'd be a perfect group for them.
I come from a very musical family. My dad taught me to play guitar. I play violin and drums as well. Violin, I started in elementary school. Drums actually came when I was in a program called 'Rock Star,' which was really awesome. We were doing a song by the Ramones, so I thought, 'Why not play the drums?'
We were lucky if we got two takes out of a scene in the Rock 'N' Roll High School. But the Ramones did get a lot of material cut out. I think Marky Ramone calls Mr. McGree "Mr. McGlube." But that was sort of endearing and charming, and made you just love the Ramones even more. Sometimes those flubs work in favor of the filmmakers. They just couldn't get out more than one sentence in a row. It was just kind of weird. I think they were just nervous.
When I was 13, I got my first guitar, and I could sort of play Ted Nugent songs, but I couldn't play the solos. But I could play along with entire Ramones songs.
A lot of people at my school could play the "Stairway to Heaven" guitar solo, but they couldn't play three chords of a Ramones song if their life depended on it because they didn't have the strength or ability to do it. But all I did was practice that, and the style that I eventually fell into is more focused than people would actually imagine.
The main issue was deciding what to play: Should it be old Ramones material or new material? I had about three albums worth of new material, but I knew that people would rather hear the Ramones songs.
I saw the Ramones, early on at a country-rock palace in Denver. They were opening for some record-company band, so the local music establishment, and I emphasize the word "establishment," was there in force, and the handful of us who knew the Ramones were up in front. And half the fun was, you know, not only were the Ramones the most powerful band I had ever seen at that point, but they made it look so simple - that anyone could do it, hell, even I could do it. This is what I should be doing.
Initially it was so important for me to be credited as a producer, play all these instruments and be the sole writer on everything. I think especially as a woman, you want to be taken seriously as a musician, as a producer.
I was pretty much into punk rock and that's all I cared about. I was into Green Day and the Ramones. I wanted to get a guitar so I could play punk songs because this kid taught me power chords at summer camp.
Then the early punk rock period with Television and the Ramones. That's what I loved- that's what I was listening to immediately prior to when I started to play.
That's really important in a producer - a producer that can step up and play a keyboard, play a bass, play a guitar, and help you with things instead of just saying, 'I think this could be better.'
I didn't want the Ramones being told what to be doing, and I wanted the Ramones being presented in the right light - the remaining Ramones.
I've always thought about myself as somewhat of a folk musician. I just write words. I don't think I'm even a musician. I don't play a lot of instruments, not really a soloist or anything.
The Ramones are not an oldies group; they are not a glitter group. They don't play boogie music, and they don't play the blues.
We weren't straight-A students. We didn't start playing until we were teenagers, and we started playing rock and roll and punk rock - power chords - before we ever thought we would play folk music. So virtuosity was just never in my reach.
Most of the stuff I learned to play, I learned in high school. I had a band in high school, a jazz-fusion thing, and I was the keyboard player. I was interested in how the instruments worked and the theory behind playing with them.
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